ID |
Titel |
Jahr |
TITELID |
INTERPRETID |
Hauptinterpret |
Interpret |
Urheber |
Funktion |
MEDIENID |
Track |
5.537.161
|
A Dialogue With Society A/K/A Sermon From The Ghetto
|
1992-2002
|
902.171
|
211.294
|
|
|
|
|
81.266
|
26
|
5.537.342
|
Armed Robbery On West 8th Street
|
1992-2002
|
902.182
|
211.294
|
|
|
|
|
81.266
|
16
|
2.262.618
|
As In Angola (Red Star In The Morning Sky)
|
1992/02-05
|
326.308
|
211.294
|
|
|
|
|
32.611
|
3
|
2.262.693
|
As In The Bronx (You Can Tell Where Someone Comes From By What They Laugh At)
|
1992/02-05
|
326.313
|
211.294
|
|
|
|
|
32.611
|
8
|
2.262.723
|
As In The Red Morning
|
1992/02-05
|
326.315
|
211.294
|
|
|
|
|
32.611
|
10
|
3.098.331
|
Aziz And Azizah / Continued
|
1994-96
|
451.465
|
211.294
|
|
|
|
|
43.470
|
6
|
5.536.964
|
Born Anew At Each A.M.
|
1992-2002
|
902.159
|
211.294
|
|
|
|
|
81.266
|
3
|
5.537.111
|
Bullets Or Butterflies/Every Child Is Born A Poet
|
1992-2002
|
902.168
|
211.294
|
|
|
|
|
81.266
|
2
|
4.147.581
|
Commerce
|
1994-8
|
608.154
|
211.294
|
|
|
|
|
57.067
|
8
|
5.537.326
|
Dignity
|
1992-2002
|
902.181
|
211.294
|
|
|
|
|
81.266
|
24
|
5.537.310
|
Distant Shore Dreams/The Cruelest Prison Of All
|
1992-2002
|
902.180
|
211.294
|
|
|
|
|
81.266
|
18
|
5.537.143
|
Doubt Kills
|
1992-2002
|
902.170
|
211.294
|
|
|
|
|
81.266
|
23
|
5.537.294
|
El Vejigante
|
1992-2002
|
902.179
|
211.294
|
|
|
|
|
81.266
|
22
|
5.537.358
|
Every Child Is Born A Poet
|
1992-2002
|
902.183
|
211.294
|
|
|
|
|
81.266
|
20
|
5.537.278
|
Freedom Of Expression
|
1992-2002
|
902.178
|
211.294
|
|
|
|
|
81.266
|
11
|
2.262.678
|
G-D Is Great
|
1992/02-05
|
326.312
|
211.294
|
|
|
|
|
32.611
|
7
|
5.537.014
|
Getting From Nothing
|
1992-2002
|
902.162
|
211.294
|
|
|
|
|
81.266
|
12
|
5.537.046
|
Hollywood In Harlem
|
1992-2002
|
902.164
|
211.294
|
|
|
|
|
81.266
|
19
|
5.537.229
|
I Speak For Myself
|
1992-2002
|
902.175
|
211.294
|
|
|
|
|
81.266
|
8
|
5.537.374
|
Like Tight
|
1992-2002
|
902.184
|
211.294
|
|
|
|
|
81.266
|
1
|
5.537.197
|
Mindtrances
|
1992-2002
|
902.173
|
211.294
|
|
|
|
|
81.266
|
10
|
5.537.095
|
Mom And Pop Had Filled My Eyes With The Wondrous City
|
1992-2002
|
902.167
|
211.294
|
|
|
|
|
81.266
|
7
|
5.537.127
|
Momma Never Lost Her Sense Of Beauty
|
1992-2002
|
902.169
|
211.294
|
|
|
|
|
81.266
|
14
|
5.537.030
|
No Vuelvo
|
1992-2002
|
902.163
|
211.294
|
|
|
|
|
81.266
|
25
|
5.536.980
|
Oye Familia!
|
1992-2002
|
902.160
|
211.294
|
|
|
|
|
81.266
|
4
|
5.537.079
|
Pretty As Thee
|
1992-2002
|
902.166
|
211.294
|
|
|
|
|
81.266
|
27
|
5.537.261
|
Pride On Bended Knees
|
1992-2002
|
902.177
|
211.294
|
|
|
|
|
81.266
|
13
|
5.536.997
|
Puerto Rican Identity/I'm Tough/El Miedo
|
1992-2002
|
902.161
|
211.294
|
|
|
|
|
81.266
|
17
|
2.262.633
|
Red Star
|
1992/02-05
|
326.309
|
211.294
|
|
|
|
|
32.611
|
4
|
4.147.545
|
Shahrazade Watches Birds Through Alabaster Cealing
|
1994-8
|
608.147
|
211.294
|
|
|
|
|
57.067
|
1
|
5.537.180
|
Softly, Puerto Rican, You're Not Alone
|
1992-2002
|
902.172
|
211.294
|
|
|
|
|
81.266
|
6
|
3.381.101
|
The Blonde Woman Escapes
|
1994-96
|
490.979
|
211.294
|
|
|
|
|
46.462
|
5
|
3.381.159
|
The Brown Eyed Woman Escapes
|
1994-96
|
490.988
|
211.294
|
|
|
|
|
46.462
|
14
|
5.536.948
|
The Hard Stuff
|
1992-2002
|
902.158
|
211.294
|
|
|
|
|
81.266
|
21
|
4.147.548
|
The Jinniya Sleeps On The Alabaster Cealing, The Coolness Of The Stone
|
1994-8
|
608.148
|
211.294
|
|
|
|
|
57.067
|
2
|
3.098.364
|
The Jinniya Who Envied Human Suffering
|
1994-96
|
451.471
|
211.294
|
|
|
|
|
43.470
|
12
|
2.262.603
|
The Last Song
|
1992/02-05
|
326.307
|
211.294
|
|
|
|
|
32.611
|
2
|
2.262.738
|
The Last Song On The Album
|
1992/02-05
|
326.316
|
211.294
|
|
|
|
|
32.611
|
11
|
4.147.606
|
The Man Who Stole The Golden Plate From Which The Dog Had Eaten
|
1994-8
|
608.158
|
211.294
|
|
|
|
|
57.067
|
12
|
3.381.162
|
The Red Headed Woman Remains With The Merchant
|
1994-96
|
490.989
|
211.294
|
|
|
|
|
46.462
|
15
|
4.147.586
|
The Tale Of The Youth Behind Whom Indian And Chinese Music Was Played&The Tale Of The JaundicedYouth
|
1994-8
|
608.155
|
211.294
|
|
|
|
|
57.067
|
9
|
3.098.359
|
The Yemeni Merchant And The Three Different Colored Women
|
1994-96
|
451.470
|
211.294
|
|
|
|
|
43.470
|
11
|
5.537.063
|
Those Who Is And Those Who Ain't
|
1992-2002
|
902.165
|
211.294
|
|
|
|
|
81.266
|
15
|
5.537.245
|
Vaya!
|
1992-2002
|
902.176
|
211.294
|
|
|
|
|
81.266
|
9
|
5.537.213
|
What Better Place?
|
1992-2002
|
902.174
|
211.294
|
|
|
|
|
81.266
|
5
|
2.262.663
|
What We Learned That Night In Vera Cruz And How We Applied It
|
1992/02-05
|
326.311
|
211.294
|
|
|
|
|
32.611
|
6
|
2.262.588
|
You Can Tell A Guy By His Anger
|
1992/02-05
|
326.306
|
211.294
|
|
|
|
|
32.611
|
1
|
2.262.708
|
You Can Tell A Moment Of Clarity By The Digital Traces It Leaves
|
1992/02-05
|
326.314
|
211.294
|
|
|
|
|
32.611
|
9
|
2.262.648
|
You Can Tell Someone Who'll Never Fulfill Their Potential By The Measure The Evening
|
1992/02-05
|
326.310
|
211.294
|
|
|
|
|
32.611
|
5
|