ID | Titel | Jahr | TITELID | INTERPRETID | Hauptinterpret | Interpret | Urheber | Funktion | MEDIENID | Track |
3.814.085 | Banks Of The Bann | 553.294 | 19.653 | 50.240 | 1 | |||||
3.814.086 | Banks Of The Bann | 553.294 | 63.649 | 50.240 | 1 | |||||
3.814.087 | Banks Of The Bann | 553.294 | 409.607 | Arr | 50.240 | 1 | ||||
3.814.088 | Alabamy Bound | 553.295 | 19.653 | 50.240 | 2 | |||||
3.814.089 | Alabamy Bound | 553.295 | 19.743 | 50.240 | 2 | |||||
3.814.090 | Alabamy Bound | 553.295 | 409.607 | Arr | 50.240 | 2 | ||||
3.814.091 | Midnight In Moscow | 553.296 | 18.437 | 50.240 | 3 | |||||
3.814.092 | Midnight In Moscow | 553.296 | 19.653 | 50.240 | 3 | |||||
3.814.093 | Midnight In Moscow | 553.296 | 19.743 | 50.240 | 3 | |||||
3.814.094 | Midnight In Moscow | 553.296 | 461.806 | 50.240 | 3 | |||||
3.814.095 | Midnight In Moscow | 553.296 | 484.417 | 50.240 | 3 | |||||
3.814.096 | Midnight In Moscow | 553.296 | 487.571 | 50.240 | 3 | |||||
3.814.097 | Tom Dooley | 553.297 | 19.653 | 50.240 | 4 | |||||
3.814.098 | Tom Dooley | 553.297 | 19.743 | 50.240 | 4 | |||||
3.814.099 | Tom Dooley | 553.297 | 457.693 | 50.240 | 4 | |||||
3.814.100 | Tom Dooley | 553.297 | 457.696 | 50.240 | 4 | |||||
3.814.101 | Tom Dooley | 553.297 | 497.843 | Arr | 50.240 | 4 | ||||
3.814.102 | Streets Of Laredo | 553.298 | 19.653 | 50.240 | 5 | |||||
3.814.103 | Streets Of Laredo | 553.298 | 19.743 | 50.240 | 5 | |||||
3.814.104 | Streets Of Laredo | 553.298 | 409.607 | Arr | 50.240 | 5 | ||||
3.814.105 | Midnight Special | 553.299 | 19.653 | 50.240 | 6 | |||||
3.814.106 | Midnight Special | 553.299 | 19.743 | 50.240 | 6 | |||||
3.814.107 | Midnight Special | 553.299 | 409.607 | Arr | 50.240 | 6 | ||||
3.814.108 | So Long, It's Been Good To Know You | 553.300 | 19.653 | 50.240 | 7 | |||||
3.814.109 | So Long, It's Been Good To Know You | 553.300 | 19.743 | 50.240 | 7 | |||||
3.814.110 | So Long, It's Been Good To Know You | 553.300 | 440.258 | 50.240 | 7 | |||||
3.814.111 | Whenn Johnny Comes Marching Home | 553.301 | 19.653 | 50.240 | 8 | |||||
3.814.112 | Whenn Johnny Comes Marching Home | 553.301 | 19.743 | 50.240 | 8 | |||||
3.814.113 | Whenn Johnny Comes Marching Home | 553.301 | 409.607 | Arr | 50.240 | 8 | ||||
3.814.114 | Wimoweh | 553.302 | 19.653 | 50.240 | 9 | |||||
3.814.115 | Wimoweh | 553.302 | 19.743 | 50.240 | 9 | |||||
3.814.116 | Wimoweh | 553.302 | 54.378 | 50.240 | 9 | |||||
3.814.117 | On Top Of Old Smokey | 553.303 | 19.653 | 50.240 | 10 | |||||
3.814.118 | On Top Of Old Smokey | 553.303 | 19.743 | 50.240 | 10 | |||||
3.814.119 | On Top Of Old Smokey | 553.303 | 409.607 | Arr | 50.240 | 10 | ||||
3.814.120 | Kisses Sweeter Than wine | 553.304 | 19.653 | 50.240 | 11 | |||||
3.814.121 | Kisses Sweeter Than wine | 553.304 | 19.743 | 50.240 | 11 | |||||
3.814.122 | Kisses Sweeter Than wine | 553.304 | 54.378 | 50.240 | 11 | |||||
3.814.123 | Kisses Sweeter Than wine | 553.304 | 468.598 | 50.240 | 11 | |||||
3.814.124 | Ha, Ha, This A-Way | 553.305 | 19.653 | 50.240 | 12 | |||||
3.814.125 | Ha, Ha, This A-Way | 553.305 | 19.743 | 50.240 | 12 | |||||
3.814.126 | Ha, Ha, This A-Way | 553.305 | 409.607 | Arr | 50.240 | 12 | ||||
3.814.127 | Goodnight Irene | 553.306 | 19.653 | 50.240 | 13 | |||||
3.814.128 | Goodnight Irene | 553.306 | 19.743 | 50.240 | 13 | |||||
3.814.129 | Goodnight Irene | 553.306 | 455.421 | 50.240 | 13 | |||||
3.814.130 | Goodnight Irene | 553.306 | 457.692 | 50.240 | 13 | |||||
3.814.131 | Bobby Shaftoe | 553.307 | 19.653 | 50.240 | 14 | |||||
3.814.132 | Bobby Shaftoe | 553.307 | 19.743 | 50.240 | 14 | |||||
3.814.133 | Bobby Shaftoe | 553.307 | 409.607 | Arr | 50.240 | 14 |
ID | Archiv Nummer | Medium | Album-Interpret | Album-Titel | Industrie Nummer | Kategorie | Erfasst Am | Erfasst Von |
50.240 | 30194 | LP | Chris Barber | Folk Barber Style | Teldec SLK 16399-P (BRD, Decca) | Keine | 13.03.2003 14:45:02 | Konvertierung |