Beteiligte
ID |
Titel |
Jahr |
TITELID |
INTERPRETID |
Hauptinterpret |
Interpret |
Urheber |
Funktion |
MEDIENID |
Track |
3.701.897
|
All Or Nothing
|
|
533.501
|
45.003
|
|
|
|
|
48.627
|
10
|
3.701.898
|
All Or Nothing
|
|
533.501
|
85.834
|
|
|
|
|
48.627
|
10
|
3.701.899
|
All Or Nothing
|
|
533.501
|
103.634
|
|
|
|
|
48.627
|
10
|
3.701.900
|
All Or Nothing
|
|
533.501
|
140.469
|
|
|
|
|
48.627
|
10
|
3.701.901
|
All Or Nothing
|
|
533.501
|
151.217
|
|
|
|
|
48.627
|
10
|
3.701.902
|
All Or Nothing
|
|
533.501
|
152.247
|
|
|
|
|
48.627
|
10
|
3.701.903
|
All Or Nothing
|
|
533.501
|
187.964
|
|
|
|
|
48.627
|
10
|
3.701.904
|
All Or Nothing
|
|
533.501
|
191.039
|
|
|
|
|
48.627
|
10
|
3.701.905
|
All Or Nothing
|
|
533.501
|
203.786
|
|
|
|
|
48.627
|
10
|
3.701.906
|
All Or Nothing
|
|
533.501
|
228.425
|
|
|
|
|
48.627
|
10
|
3.701.907
|
All Or Nothing
|
|
533.501
|
230.579
|
|
|
|
|
48.627
|
10
|
3.701.908
|
All Or Nothing
|
|
533.501
|
247.261
|
|
|
|
|
48.627
|
10
|
3.701.909
|
All Or Nothing
|
|
533.501
|
282.168
|
|
|
|
|
48.627
|
10
|
3.701.910
|
All Or Nothing
|
|
533.501
|
284.711
|
|
|
|
|
48.627
|
10
|
3.701.911
|
All Or Nothing
|
|
533.501
|
290.486
|
|
|
|
|
48.627
|
10
|
3.701.912
|
All Or Nothing
|
|
533.501
|
335.203
|
|
|
|
|
48.627
|
10
|
3.701.913
|
All Or Nothing
|
|
533.501
|
350.493
|
|
|
|
|
48.627
|
10
|
3.701.914
|
All Or Nothing
|
|
533.501
|
351.086
|
|
|
|
|
48.627
|
10
|
3.701.915
|
All Or Nothing
|
|
533.501
|
383.073
|
|
|
|
|
48.627
|
10
|
Interpret/Beteiligter |
Funktion |
Hauptinterpret |
Interpret |
Urheber |
Instrument |
Brown, Jim (The King)
|
|
|
|
|
|
Debbie
|
|
|
|
|
|
Emney, Steve
|
|
|
|
|
|
Guerin, Paul
|
|
|
|
|
|
Hay, David
|
|
|
|
|
|
Heathcote, Melissa
|
|
|
|
|
|
Kennedy, Bap
|
|
|
|
|
|
King, The
|
|
|
|
|
|
Lane
|
|
|
|
|
|
Marriott
|
|
|
|
|
|
Mason, Greg
|
|
|
|
|
|
Moncur, Becky
|
|
|
|
|
|
Pigott, Mike
|
|
|
|
|
|
Pomeroy, Lee
|
|
|
|
|
|
Questionaires, The
|
|
|
|
|
|
Smith, Martin
|
|
|
|
|
|
Suzie
|
|
|
|
|
|
Sweet Perspirations
|
|
|
|
|
|
Weir, Keith
|
|
|
|
|
|