| ID | Titel | Jahr | TITELID | INTERPRETID | Hauptinterpret | Interpret | Urheber | Funktion | MEDIENID | Track |
| 4.048.549 | After The Ball | 1999/02-03 | 591.631 | 8.493 | 54.374 | 22 | ||||
| 4.048.550 | After The Ball | 1999/02-03 | 591.631 | 52.151 | 54.374 | 22 | ||||
| 4.048.551 | After The Ball | 1999/02-03 | 591.631 | 53.148 | 54.374 | 22 | ||||
| 4.048.552 | After The Ball | 1999/02-03 | 591.631 | 72.926 | 54.374 | 22 | ||||
| 4.048.553 | After The Ball | 1999/02-03 | 591.631 | 82.819 | 54.374 | 22 | ||||
| 4.048.554 | After The Ball | 1999/02-03 | 591.631 | 85.102 | 54.374 | 22 | ||||
| 4.048.555 | After The Ball | 1999/02-03 | 591.631 | 94.281 | 54.374 | 22 | ||||
| 4.048.556 | After The Ball | 1999/02-03 | 591.631 | 110.374 | 54.374 | 22 | ||||
| 4.048.557 | After The Ball | 1999/02-03 | 591.631 | 127.005 | 54.374 | 22 | ||||
| 4.048.558 | After The Ball | 1999/02-03 | 591.631 | 251.080 | 54.374 | 22 | ||||
| 4.048.559 | After The Ball | 1999/02-03 | 591.631 | 278.364 | 54.374 | 22 | ||||
| 4.048.560 | After The Ball | 1999/02-03 | 591.631 | 306.347 | 54.374 | 22 | ||||
| 4.048.561 | After The Ball | 1999/02-03 | 591.631 | 307.195 | 54.374 | 22 | ||||
| 4.048.562 | After The Ball | 1999/02-03 | 591.631 | 330.265 | 54.374 | 22 | ||||
| 4.048.563 | After The Ball | 1999/02-03 | 591.631 | 345.000 | 54.374 | 22 | ||||
| 4.048.564 | After The Ball | 1999/02-03 | 591.631 | 441.943 | 54.374 | 22 |
| Interpret/Beteiligter | Funktion | Hauptinterpret | Interpret | Urheber | Instrument |
| Anderson, Nancy | |||||
| Byron, Don | |||||
| Caine, Uri | |||||
| Cortese, Dominic | |||||
| Davis, Eddy | |||||
| DeBellis, Bob | |||||
| Douglas, Dave | |||||
| Feldman, Mark | |||||
| Genus, James | |||||
| Harris, Charles K. | |||||
| Morway-Baker, Renae | |||||
| Perowsky, Ben | |||||
| Romantchicks, The | |||||
| Roseman, Josh | |||||
| Sidewalk Of New York Choir, The | |||||
| Stewart, Bob |