ID |
Titel |
Interpret |
Hauptinterpret |
Interpret |
Urheber |
Funktion |
Industrie-Nummer |
NUMMER |
NAME |
JAHR |
Interprtet Unique ID |
2.967.362
|
Bli-Blip
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
402.574
|
2.967.240
|
I'll Never Stop Loving You
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
5
|
I'll Never Stop Loving You
|
1955/10
|
402.574
|
2.967.224
|
A Foggy Day
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
2
|
A Foggy Day
|
1955/10
|
402.574
|
2.967.376
|
Chokolade Shake
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
402.574
|
2.967.318
|
I Got It Bad (And That Ain't Good)
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
402.574
|
2.967.252
|
I've Never Been In Love Before
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
7
|
I've Never Been In Love Before
|
1955/10
|
402.574
|
2.967.389
|
If Life Were All Peaches And Cream
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
402.574
|
2.967.347
|
Jump for Joy
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
402.574
|
2.967.331
|
Nothin'
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
402.574
|
2.967.234
|
Two Sleepy People
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
4
|
Two Sleepy People
|
1955/10
|
402.574
|
2.967.217
|
I Cover The Waterfront
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
1
|
I Cover The Waterfront
|
1955/10
|
402.574
|
2.967.404
|
Brown-Skin Gal (In The Calico Gown)
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
402.574
|
2.967.289
|
Two Left Feet
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
402.574
|
2.967.304
|
Just Squeeze Me (But Don't Tease Me)
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
402.574
|
2.967.246
|
(I'm afraid) The Masquerade Is Over
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
6
|
(I'm afraid) The Masquerade Is Over
|
1955/10
|
402.574
|
2.967.417
|
The Tune Of The Hickory Stick
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
402.574
|
2.967.229
|
The Surrey With The Fringe On Top
|
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
3
|
The Surrey With The Fringe On Top
|
1955/10
|
402.574
|
2.967.258
|
Falling In Love With Love
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
9
|
Falling In Love With Love
|
1955/10
|
2.454
|
2.967.378
|
If Life Were All Peaches And Cream
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
2.454
|
2.967.225
|
The Surrey With The Fringe On Top
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
3
|
The Surrey With The Fringe On Top
|
1955/10
|
2.454
|
2.967.306
|
I Got It Bad (And That Ain't Good)
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
2.454
|
2.967.320
|
Nothin'
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
2.454
|
2.967.392
|
Brown-Skin Gal (In The Calico Gown)
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
2.454
|
2.967.254
|
Lonely Dreams
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
8
|
Lonely Dreams
|
1955/10
|
2.454
|
2.967.263
|
Street Of Dreams
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
10
|
Street Of Dreams
|
1955/10
|
2.454
|
2.967.335
|
Jump for Joy
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
2.454
|
2.967.278
|
Two Left Feet
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
2.454
|
2.967.350
|
Bli-Blip
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
2.454
|
2.967.237
|
I'll Never Stop Loving You
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
5
|
I'll Never Stop Loving You
|
1955/10
|
2.454
|
2.967.292
|
Just Squeeze Me (But Don't Tease Me)
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
2.454
|
2.967.219
|
A Foggy Day
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
2
|
A Foggy Day
|
1955/10
|
2.454
|
2.967.406
|
The Tune Of The Hickory Stick
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
2.454
|
2.967.249
|
I've Never Been In Love Before
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
7
|
I've Never Been In Love Before
|
1955/10
|
2.454
|
2.967.273
|
You are Too Beautiful
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
12
|
You are Too Beautiful
|
1955/10
|
2.454
|
2.967.231
|
Two Sleepy People
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
4
|
Two Sleepy People
|
1955/10
|
2.454
|
2.967.213
|
I Cover The Waterfront
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
1
|
I Cover The Waterfront
|
1955/10
|
2.454
|
2.967.268
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
11
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
1955/10
|
2.454
|
2.967.243
|
(I'm afraid) The Masquerade Is Over
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
6
|
(I'm afraid) The Masquerade Is Over
|
1955/10
|
2.454
|
2.967.364
|
Chokolade Shake
|
Adderley, Cannonball
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
2.454
|
2.967.379
|
If Life Were All Peaches And Cream
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
29.656
|
2.967.307
|
I Got It Bad (And That Ain't Good)
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
29.656
|
2.967.321
|
Nothin'
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
29.656
|
2.967.393
|
Brown-Skin Gal (In The Calico Gown)
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
29.656
|
2.967.336
|
Jump for Joy
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
29.656
|
2.967.279
|
Two Left Feet
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
29.656
|
2.967.293
|
Just Squeeze Me (But Don't Tease Me)
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
29.656
|
2.967.407
|
The Tune Of The Hickory Stick
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
29.656
|
2.967.351
|
Bli-Blip
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
29.656
|
2.967.365
|
Chokolade Shake
|
Berry, Emmett
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
29.656
|
2.967.390
|
If Life Were All Peaches And Cream
|
Borne, Hal
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
414.159
|
2.967.332
|
Nothin'
|
Borne, Hal
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
414.159
|
2.967.290
|
Two Left Feet
|
Borne, Hal
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
414.159
|
2.967.418
|
The Tune Of The Hickory Stick
|
Borne, Hal
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
414.159
|
2.967.241
|
I'll Never Stop Loving You
|
Brodszky, Nicholas
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
5
|
I'll Never Stop Loving You
|
1955/10
|
415.722
|
2.967.271
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
Burke, Johnny
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
11
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
1955/10
|
416.868
|
2.967.242
|
I'll Never Stop Loving You
|
Cahn, Sammy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
5
|
I'll Never Stop Loving You
|
1955/10
|
417.734
|
2.967.235
|
Two Sleepy People
|
Carmichael, Hoagland Howard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
4
|
Two Sleepy People
|
1955/10
|
418.656
|
2.967.322
|
Nothin'
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
66.981
|
2.967.394
|
Brown-Skin Gal (In The Calico Gown)
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
66.981
|
2.967.337
|
Jump for Joy
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
66.981
|
2.967.280
|
Two Left Feet
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
66.981
|
2.967.294
|
Just Squeeze Me (But Don't Tease Me)
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
66.981
|
2.967.408
|
The Tune Of The Hickory Stick
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
66.981
|
2.967.352
|
Bli-Blip
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
66.981
|
2.967.366
|
Chokolade Shake
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
66.981
|
2.967.380
|
If Life Were All Peaches And Cream
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
66.981
|
2.967.308
|
I Got It Bad (And That Ain't Good)
|
Cobb, Jimmy
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
66.981
|
2.967.395
|
Brown-Skin Gal (In The Calico Gown)
|
Ellington, Duke
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
102.450
|
2.967.338
|
Jump for Joy
|
Ellington, Duke
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
102.450
|
2.967.295
|
Just Squeeze Me (But Don't Tease Me)
|
Ellington, Duke
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
102.450
|
2.967.353
|
Bli-Blip
|
Ellington, Duke
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
102.450
|
2.967.367
|
Chokolade Shake
|
Ellington, Duke
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
102.450
|
2.967.309
|
I Got It Bad (And That Ain't Good)
|
Ellington, Duke
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
102.450
|
2.967.339
|
Jump for Joy
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
106.410
|
2.967.323
|
Nothin'
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
106.410
|
2.967.281
|
Two Left Feet
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
106.410
|
2.967.296
|
Just Squeeze Me (But Don't Tease Me)
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
106.410
|
2.967.409
|
The Tune Of The Hickory Stick
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
106.410
|
2.967.354
|
Bli-Blip
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
106.410
|
2.967.368
|
Chokolade Shake
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
106.410
|
2.967.310
|
I Got It Bad (And That Ain't Good)
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
106.410
|
2.967.381
|
If Life Were All Peaches And Cream
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
106.410
|
2.967.396
|
Brown-Skin Gal (In The Calico Gown)
|
Evans, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
106.410
|
2.967.305
|
Just Squeeze Me (But Don't Tease Me)
|
Gaines, Lee
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
435.346
|
2.967.397
|
Brown-Skin Gal (In The Calico Gown)
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
123.213
|
2.967.282
|
Two Left Feet
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
123.213
|
2.967.297
|
Just Squeeze Me (But Don't Tease Me)
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
123.213
|
2.967.410
|
The Tune Of The Hickory Stick
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
123.213
|
2.967.355
|
Bli-Blip
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
123.213
|
2.967.369
|
Chokolade Shake
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
123.213
|
2.967.311
|
I Got It Bad (And That Ain't Good)
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
123.213
|
2.967.382
|
If Life Were All Peaches And Cream
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
123.213
|
2.967.340
|
Jump for Joy
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
123.213
|
2.967.324
|
Nothin'
|
Galbraith, Barry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
123.213
|
2.967.221
|
A Foggy Day
|
Gershwin, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
2
|
A Foggy Day
|
1955/10
|
127.753
|
2.967.220
|
A Foggy Day
|
Gershwin, Ira
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
2
|
A Foggy Day
|
1955/10
|
127.752
|
2.967.255
|
Lonely Dreams
|
Gibbs, Terry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
8
|
Lonely Dreams
|
1955/10
|
128.395
|
2.967.333
|
Nothin'
|
Golden, Ray
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
437.891
|
2.967.218
|
I Cover The Waterfront
|
Green, John W.
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
1
|
I Cover The Waterfront
|
1955/10
|
439.082
|
2.967.230
|
The Surrey With The Fringe On Top
|
Hammerstein, Oscar II
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
3
|
The Surrey With The Fringe On Top
|
1955/10
|
441.249
|
2.967.262
|
Falling In Love With Love
|
Hart, Lorenz
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
9
|
Falling In Love With Love
|
1955/10
|
442.102
|
2.967.277
|
You are Too Beautiful
|
Hart, Lorenz
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
12
|
You are Too Beautiful
|
1955/10
|
442.102
|
2.967.226
|
The Surrey With The Fringe On Top
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
3
|
The Surrey With The Fringe On Top
|
1955/10
|
151.551
|
2.967.256
|
Lonely Dreams
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
8
|
Lonely Dreams
|
1955/10
|
151.551
|
2.967.264
|
Street Of Dreams
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
10
|
Street Of Dreams
|
1955/10
|
151.551
|
2.967.222
|
A Foggy Day
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
2
|
A Foggy Day
|
1955/10
|
151.551
|
2.967.238
|
I'll Never Stop Loving You
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
5
|
I'll Never Stop Loving You
|
1955/10
|
151.551
|
2.967.250
|
I've Never Been In Love Before
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
7
|
I've Never Been In Love Before
|
1955/10
|
151.551
|
2.967.259
|
Falling In Love With Love
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
9
|
Falling In Love With Love
|
1955/10
|
151.551
|
2.967.274
|
You are Too Beautiful
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
12
|
You are Too Beautiful
|
1955/10
|
151.551
|
2.967.232
|
Two Sleepy People
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
4
|
Two Sleepy People
|
1955/10
|
151.551
|
2.967.214
|
I Cover The Waterfront
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
1
|
I Cover The Waterfront
|
1955/10
|
151.551
|
2.967.269
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
11
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
1955/10
|
151.551
|
2.967.244
|
(I'm afraid) The Masquerade Is Over
|
Hayman, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
6
|
(I'm afraid) The Masquerade Is Over
|
1955/10
|
151.551
|
2.967.257
|
Lonely Dreams
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
8
|
Lonely Dreams
|
1955/10
|
151.553
|
2.967.265
|
Street Of Dreams
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
10
|
Street Of Dreams
|
1955/10
|
151.553
|
2.967.223
|
A Foggy Day
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
2
|
A Foggy Day
|
1955/10
|
151.553
|
2.967.239
|
I'll Never Stop Loving You
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
5
|
I'll Never Stop Loving You
|
1955/10
|
151.553
|
2.967.251
|
I've Never Been In Love Before
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
7
|
I've Never Been In Love Before
|
1955/10
|
151.553
|
2.967.260
|
Falling In Love With Love
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
9
|
Falling In Love With Love
|
1955/10
|
151.553
|
2.967.275
|
You are Too Beautiful
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
12
|
You are Too Beautiful
|
1955/10
|
151.553
|
2.967.233
|
Two Sleepy People
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
4
|
Two Sleepy People
|
1955/10
|
151.553
|
2.967.215
|
I Cover The Waterfront
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
1
|
I Cover The Waterfront
|
1955/10
|
151.553
|
2.967.270
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
11
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
1955/10
|
151.553
|
2.967.245
|
(I'm afraid) The Masquerade Is Over
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
6
|
(I'm afraid) The Masquerade Is Over
|
1955/10
|
151.553
|
2.967.227
|
The Surrey With The Fringe On Top
|
Hayman, Richard And His Orchestra
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
3
|
The Surrey With The Fringe On Top
|
1955/10
|
151.553
|
2.967.216
|
I Cover The Waterfront
|
Heyman, Edward
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
1
|
I Cover The Waterfront
|
1955/10
|
156.806
|
2.967.283
|
Two Left Feet
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
158.613
|
2.967.298
|
Just Squeeze Me (But Don't Tease Me)
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
158.613
|
2.967.411
|
The Tune Of The Hickory Stick
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
158.613
|
2.967.356
|
Bli-Blip
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
158.613
|
2.967.370
|
Chokolade Shake
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
158.613
|
2.967.312
|
I Got It Bad (And That Ain't Good)
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
158.613
|
2.967.383
|
If Life Were All Peaches And Cream
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
158.613
|
2.967.341
|
Jump for Joy
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
158.613
|
2.967.325
|
Nothin'
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
158.613
|
2.967.398
|
Brown-Skin Gal (In The Calico Gown)
|
Hinton, Milt
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
158.613
|
2.967.299
|
Just Squeeze Me (But Don't Tease Me)
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
198.583
|
2.967.412
|
The Tune Of The Hickory Stick
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
198.583
|
2.967.357
|
Bli-Blip
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
198.583
|
2.967.371
|
Chokolade Shake
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
198.583
|
2.967.313
|
I Got It Bad (And That Ain't Good)
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
198.583
|
2.967.384
|
If Life Were All Peaches And Cream
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
198.583
|
2.967.342
|
Jump for Joy
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
198.583
|
2.967.326
|
Nothin'
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
198.583
|
2.967.399
|
Brown-Skin Gal (In The Calico Gown)
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
198.583
|
2.967.284
|
Two Left Feet
|
Kruczek, Leo
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
198.583
|
2.967.363
|
Bli-Blip
|
Kuller, Sid
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
453.378
|
2.967.334
|
Nothin'
|
Kuller, Sid
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
453.378
|
2.967.348
|
Jump for Joy
|
Kuller, Sid
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
453.378
|
2.967.266
|
Street Of Dreams
|
Lewis, Sam
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
10
|
Street Of Dreams
|
1955/10
|
211.588
|
2.967.253
|
I've Never Been In Love Before
|
Loesser, Frank
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
7
|
I've Never Been In Love Before
|
1955/10
|
457.572
|
2.967.236
|
Two Sleepy People
|
Loesser, Frank Henry
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
4
|
Two Sleepy People
|
1955/10
|
457.573
|
2.967.247
|
(I'm afraid) The Masquerade Is Over
|
Magidson, Herb
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
6
|
(I'm afraid) The Masquerade Is Over
|
1955/10
|
459.579
|
2.967.413
|
The Tune Of The Hickory Stick
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
268.932
|
2.967.358
|
Bli-Blip
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
268.932
|
2.967.372
|
Chokolade Shake
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
268.932
|
2.967.314
|
I Got It Bad (And That Ain't Good)
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
268.932
|
2.967.385
|
If Life Were All Peaches And Cream
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
268.932
|
2.967.343
|
Jump for Joy
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
268.932
|
2.967.327
|
Nothin'
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
268.932
|
2.967.400
|
Brown-Skin Gal (In The Calico Gown)
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
268.932
|
2.967.285
|
Two Left Feet
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
268.932
|
2.967.300
|
Just Squeeze Me (But Don't Tease Me)
|
Orloff, Gene
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
268.932
|
2.967.359
|
Bli-Blip
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
299.296
|
2.967.373
|
Chokolade Shake
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
299.296
|
2.967.315
|
I Got It Bad (And That Ain't Good)
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
299.296
|
2.967.386
|
If Life Were All Peaches And Cream
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
299.296
|
2.967.344
|
Jump for Joy
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
299.296
|
2.967.328
|
Nothin'
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
299.296
|
2.967.401
|
Brown-Skin Gal (In The Calico Gown)
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
299.296
|
2.967.286
|
Two Left Feet
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
299.296
|
2.967.301
|
Just Squeeze Me (But Don't Tease Me)
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
299.296
|
2.967.414
|
The Tune Of The Hickory Stick
|
Ricci, George
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
299.296
|
2.967.261
|
Falling In Love With Love
|
Rodgers, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
9
|
Falling In Love With Love
|
1955/10
|
304.747
|
2.967.276
|
You are Too Beautiful
|
Rodgers, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
12
|
You are Too Beautiful
|
1955/10
|
304.747
|
2.967.228
|
The Surrey With The Fringe On Top
|
Rodgers, Richard
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
3
|
The Surrey With The Fringe On Top
|
1955/10
|
304.747
|
2.967.360
|
Bli-Blip
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
310.823
|
2.967.374
|
Chokolade Shake
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
310.823
|
2.967.316
|
I Got It Bad (And That Ain't Good)
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
310.823
|
2.967.387
|
If Life Were All Peaches And Cream
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
310.823
|
2.967.345
|
Jump for Joy
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
310.823
|
2.967.329
|
Nothin'
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
310.823
|
2.967.402
|
Brown-Skin Gal (In The Calico Gown)
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
310.823
|
2.967.287
|
Two Left Feet
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
310.823
|
2.967.302
|
Just Squeeze Me (But Don't Tease Me)
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
310.823
|
2.967.415
|
The Tune Of The Hickory Stick
|
Russo, Bill
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
310.823
|
2.967.361
|
Bli-Blip
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
18
|
Bli-Blip
|
1958/08
|
322.330
|
2.967.375
|
Chokolade Shake
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
322.330
|
2.967.317
|
I Got It Bad (And That Ain't Good)
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
322.330
|
2.967.388
|
If Life Were All Peaches And Cream
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
322.330
|
2.967.346
|
Jump for Joy
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
322.330
|
2.967.330
|
Nothin'
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
16
|
Nothin'
|
1958/08
|
322.330
|
2.967.403
|
Brown-Skin Gal (In The Calico Gown)
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
322.330
|
2.967.288
|
Two Left Feet
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
322.330
|
2.967.303
|
Just Squeeze Me (But Don't Tease Me)
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
14
|
Just Squeeze Me (But Don't Tease Me)
|
1958/08
|
322.330
|
2.967.416
|
The Tune Of The Hickory Stick
|
Schwartz, Dave
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
322.330
|
2.967.272
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
Van Heusen, James
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
11
|
Polka Dots And Moonbeams (Around A Pug-Nosed Dream)
|
1955/10
|
502.923
|
2.967.377
|
Chokolade Shake
|
Webster, Paul Francis
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
19
|
Chokolade Shake
|
1958/08
|
604.157
|
2.967.319
|
I Got It Bad (And That Ain't Good)
|
Webster, Paul Francis
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
15
|
I Got It Bad (And That Ain't Good)
|
1958/08
|
604.157
|
2.967.391
|
If Life Were All Peaches And Cream
|
Webster, Paul Francis
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
20
|
If Life Were All Peaches And Cream
|
1958/08
|
604.157
|
2.967.349
|
Jump for Joy
|
Webster, Paul Francis
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
17
|
Jump for Joy
|
1958/08
|
604.157
|
2.967.291
|
Two Left Feet
|
Webster, Paul Francis
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
13
|
Two Left Feet
|
1958/08
|
604.157
|
2.967.405
|
Brown-Skin Gal (In The Calico Gown)
|
Webster, Paul Francis
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
21
|
Brown-Skin Gal (In The Calico Gown)
|
1958/08
|
604.157
|
2.967.419
|
The Tune Of The Hickory Stick
|
Webster, Paul Francis
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
22
|
The Tune Of The Hickory Stick
|
1958/08
|
604.157
|
2.967.248
|
(I'm afraid) The Masquerade Is Over
|
Wrubel, Allie
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
6
|
(I'm afraid) The Masquerade Is Over
|
1955/10
|
501.427
|
2.967.267
|
Street Of Dreams
|
Young, Victor
|
|
|
|
|
PolyGram 528 699-2 (USA 1995, Verve)
|
10
|
Street Of Dreams
|
1955/10
|
397.813
|