ID |
Titel |
Interpret |
Hauptinterpret |
Interpret |
Urheber |
Funktion |
Industrie-Nummer |
NUMMER |
NAME |
JAHR |
Interprtet Unique ID |
3.626.392
|
G.O.D.
|
Braun, Rick
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
41.685
|
3.626.402
|
Charlie, The Methadone Man
|
Bullard, Kim
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
9
|
Charlie, The Methadone Man
|
|
49.046
|
3.626.417
|
Nowhere Road
|
Bullard, Kim
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
12
|
Nowhere Road
|
|
49.046
|
3.626.366
|
Better Than It Was
|
Bullard, Kim
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
3
|
Better Than It Was
|
|
49.046
|
3.626.356
|
The Way
|
Bullard, Kim
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
1
|
The Way
|
|
49.046
|
3.626.403
|
Charlie, The Methadone Man
|
Duke-Kirkpatrick, Erika
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
9
|
Charlie, The Methadone Man
|
|
96.850
|
3.626.378
|
Sooner Or Later
|
Fantasy, Guy
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
5
|
Sooner Or Later
|
|
108.565
|
3.626.393
|
G.O.D.
|
Farias, Dennis
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
108.751
|
3.626.404
|
Charlie, The Methadone Man
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
9
|
Charlie, The Methadone Man
|
|
109.324
|
3.626.384
|
Warm Fuzzy Feeling
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
6
|
Warm Fuzzy Feeling
|
|
109.324
|
3.626.418
|
Nowhere Road
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
12
|
Nowhere Road
|
|
109.324
|
3.626.367
|
Better Than It Was
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
3
|
Better Than It Was
|
|
109.324
|
3.626.413
|
Damaged Goods
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
11
|
Damaged Goods
|
|
109.324
|
3.626.379
|
Sooner Or Later
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
5
|
Sooner Or Later
|
|
109.324
|
3.626.394
|
G.O.D.
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
109.324
|
3.626.361
|
Fire Escape
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
2
|
Fire Escape
|
|
109.324
|
3.626.408
|
Out Of My Head
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
10
|
Out Of My Head
|
|
109.324
|
3.626.357
|
The Way
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
1
|
The Way
|
|
109.324
|
3.626.388
|
Slow Drag
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
7
|
Slow Drag
|
|
109.324
|
3.626.422
|
Sweetwater, Texas
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
13
|
Sweetwater, Texas
|
|
109.324
|
3.626.371
|
Which Way To The Top
|
Fastball
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
4
|
Which Way To The Top
|
|
109.324
|
3.626.377
|
Which Way To The Top
|
Groves, Jeff
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
4
|
Which Way To The Top
|
|
439.732
|
3.626.395
|
G.O.D.
|
Lane, Nick
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
203.677
|
3.626.396
|
G.O.D.
|
Norwine, Doug
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
263.392
|
3.626.372
|
Which Way To The Top
|
Poe
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
4
|
Which Way To The Top
|
|
284.073
|
3.626.397
|
G.O.D.
|
Salvay, Bennett
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
313.555
|
3.626.409
|
Out Of My Head
|
Salvay, Bennett
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
10
|
Out Of My Head
|
|
313.555
|
3.626.373
|
Which Way To The Top
|
Salvay, Bennett
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
4
|
Which Way To The Top
|
|
313.555
|
3.626.385
|
Warm Fuzzy Feeling
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
6
|
Warm Fuzzy Feeling
|
|
316.907
|
3.626.419
|
Nowhere Road
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
12
|
Nowhere Road
|
|
316.907
|
3.626.368
|
Better Than It Was
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
3
|
Better Than It Was
|
|
316.907
|
3.626.398
|
G.O.D.
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
316.907
|
3.626.414
|
Damaged Goods
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
11
|
Damaged Goods
|
|
316.907
|
3.626.380
|
Sooner Or Later
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
5
|
Sooner Or Later
|
|
316.907
|
3.626.362
|
Fire Escape
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
2
|
Fire Escape
|
|
316.907
|
3.626.410
|
Out Of My Head
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
10
|
Out Of My Head
|
|
316.907
|
3.626.374
|
Which Way To The Top
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
4
|
Which Way To The Top
|
|
316.907
|
3.626.358
|
The Way
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
1
|
The Way
|
|
316.907
|
3.626.389
|
Slow Drag
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
7
|
Slow Drag
|
|
316.907
|
3.626.423
|
Sweetwater, Texas
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
13
|
Sweetwater, Texas
|
|
316.907
|
3.626.405
|
Charlie, The Methadone Man
|
Scalzo, Tony
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
9
|
Charlie, The Methadone Man
|
|
316.907
|
3.626.386
|
Warm Fuzzy Feeling
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
6
|
Warm Fuzzy Feeling
|
|
329.925
|
3.626.420
|
Nowhere Road
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
12
|
Nowhere Road
|
|
329.925
|
3.626.369
|
Better Than It Was
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
3
|
Better Than It Was
|
|
329.925
|
3.626.399
|
G.O.D.
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
329.925
|
3.626.415
|
Damaged Goods
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
11
|
Damaged Goods
|
|
329.925
|
3.626.381
|
Sooner Or Later
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
5
|
Sooner Or Later
|
|
329.925
|
3.626.363
|
Fire Escape
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
2
|
Fire Escape
|
|
329.925
|
3.626.411
|
Out Of My Head
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
10
|
Out Of My Head
|
|
329.925
|
3.626.359
|
The Way
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
1
|
The Way
|
|
329.925
|
3.626.375
|
Which Way To The Top
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
4
|
Which Way To The Top
|
|
329.925
|
3.626.390
|
Slow Drag
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
7
|
Slow Drag
|
|
329.925
|
3.626.424
|
Sweetwater, Texas
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
13
|
Sweetwater, Texas
|
|
329.925
|
3.626.406
|
Charlie, The Methadone Man
|
Shuffield, Joey
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
9
|
Charlie, The Methadone Man
|
|
329.925
|
3.626.400
|
G.O.D.
|
Smith, Greg
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
335.078
|
3.626.382
|
Sooner Or Later
|
Vincent, Walt
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
5
|
Sooner Or Later
|
|
374.187
|
3.626.365
|
Fire Escape
|
Ziniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
2
|
Fire Escape
|
|
502.547
|
3.626.370
|
Better Than It Was
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
3
|
Better Than It Was
|
|
401.313
|
3.626.401
|
G.O.D.
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
8
|
G.O.D.
|
|
401.313
|
3.626.383
|
Sooner Or Later
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
5
|
Sooner Or Later
|
|
401.313
|
3.626.416
|
Damaged Goods
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
11
|
Damaged Goods
|
|
401.313
|
3.626.364
|
Fire Escape
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
2
|
Fire Escape
|
|
401.313
|
3.626.412
|
Out Of My Head
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
10
|
Out Of My Head
|
|
401.313
|
3.626.360
|
The Way
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
1
|
The Way
|
|
401.313
|
3.626.376
|
Which Way To The Top
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
4
|
Which Way To The Top
|
|
401.313
|
3.626.391
|
Slow Drag
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
7
|
Slow Drag
|
|
401.313
|
3.626.425
|
Sweetwater, Texas
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
13
|
Sweetwater, Texas
|
|
401.313
|
3.626.407
|
Charlie, The Methadone Man
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
9
|
Charlie, The Methadone Man
|
|
401.313
|
3.626.387
|
Warm Fuzzy Feeling
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
6
|
Warm Fuzzy Feeling
|
|
401.313
|
3.626.421
|
Nowhere Road
|
Zuniga, Miles
|
|
|
|
|
PolyGram 162 130-2 (GB 1998, Hollywood)
|
12
|
Nowhere Road
|
|
401.313
|