| ID |
Titel |
Interpret |
Hauptinterpret |
Interpret |
Urheber |
Funktion |
Industrie-Nummer |
NUMMER |
NAME |
JAHR |
Interprtet Unique ID |
|
3.721.060
|
Allen's Alley
|
52nd Street All Stars, The
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
6
|
Allen's Alley
|
1946/02
|
360
|
|
3.721.512
|
Up From The Skies
|
Abercrombie, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
1.110
|
|
3.721.687
|
I'll Be Seeing You
|
Ables, Charles
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
68
|
I'll Be Seeing You
|
1990/10
|
1.196
|
|
3.721.397
|
Imagination
|
Agostini, Gloria
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
39
|
Imagination
|
1962
|
3.270
|
|
3.721.457
|
Qudrille Anyone
|
Akiyoshi, Toshiko
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
3.905
|
|
3.721.312
|
I Love Paris
|
Albam, Manny
|
|
|
|
Arr
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
4.199
|
|
3.721.313
|
I Love Paris
|
Albam, Manny And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
4.208
|
|
3.721.238
|
Love Me Or Leave Me
|
Allen, Henry (Red)
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
5.675
|
|
3.721.248
|
Love Me Or Leave Me
|
Allen, Henry All Stars
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
505.318
|
|
3.721.347
|
After All
|
Anderson, Cat
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
8.790
|
|
3.721.287
|
Perdido
|
Anderson, Cat
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
8.790
|
|
3.721.372
|
The Very Thought Of You
|
Anderson, Cat
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
8.790
|
|
3.721.473
|
Four Brothers
|
Anderson, Gary
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
8.429
|
|
3.721.114
|
Ain't Misbehavin'
|
Armstrong, Louis
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
12.359
|
|
3.721.576
|
What A Wonderful World
|
Armstrong, Louis
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
12.359
|
|
3.721.115
|
Ain't Misbehavin'
|
Armstrong, Louis And His All-Stars
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
12.386
|
|
3.721.492
|
The Puisher
|
Axton, Hoyt
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
47
|
The Puisher
|
1971/06
|
15.304
|
|
3.721.641
|
Jackknife
|
Badrena, Manola
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
61
|
Jackknife
|
1981
|
16.744
|
|
3.721.151
|
Algo Bueno
|
Bailey, Benny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
17.292
|
|
3.721.012
|
St. Louis Blues
|
Bailey, Buster
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
2
|
St. Louis Blues
|
1942/02
|
17.232
|
|
3.721.239
|
Love Me Or Leave Me
|
Bailey, Buster
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
17.232
|
|
3.721.631
|
Imagination
|
Baker, Chet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
59
|
Imagination
|
1988
|
17.628
|
|
3.721.660
|
Almost Blue
|
Baker, Chet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
64
|
Almost Blue
|
1988
|
17.628
|
|
3.721.406
|
Star Eyes
|
Baker, Chet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
40
|
Star Eyes
|
1962
|
17.628
|
|
3.721.305
|
Moanin'
|
Balkey, Art
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
30
|
Moanin'
|
1958/12
|
18.334
|
|
3.721.577
|
What A Wonderful World
|
Barber, Julien
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
19.641
|
|
3.721.258
|
Sunday Afternoon
|
Barefield, Eddie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
20.032
|
|
3.721.240
|
Love Me Or Leave Me
|
Barksdale, Everett
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
20.384
|
|
3.721.738
|
Uptown Traveler
|
Barrett, Darren
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
75
|
Uptown Traveler
|
1994
|
21.200
|
|
3.721.422
|
One O'Clock Jump
|
Basie, Count
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
42
|
One O'Clock Jump
|
1962/09
|
22.140
|
|
3.721.129
|
Your Red Wagon
|
Basie, Count
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
22.140
|
|
3.721.130
|
Your Red Wagon
|
Basie, Count And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
22.152
|
|
3.721.168
|
Overtime
|
Bauer, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
23.066
|
|
3.721.423
|
One O'Clock Jump
|
Bavan, Yolande
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
42
|
One O'Clock Jump
|
1962/09
|
23.494
|
|
3.721.314
|
I Love Paris
|
Beckenstein, Ray
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
24.812
|
|
3.721.373
|
The Very Thought Of You
|
Bell, Aaron
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
26.129
|
|
3.721.348
|
After All
|
Bell, Aaron
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
26.129
|
|
3.721.288
|
Perdido
|
Bellson, Louie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
26.666
|
|
3.721.211
|
Chiquito Loco
|
Bernhart, Milt
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
29.381
|
|
3.721.725
|
The Voyage
|
Berroa, Ignacio
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
73
|
The Voyage
|
1993/12
|
29.518
|
|
3.721.374
|
The Very Thought Of You
|
Berry, Bill
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
29.574
|
|
3.721.131
|
Your Red Wagon
|
Berry, Emmett
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
29.656
|
|
3.721.020
|
Stormy Monday Blues
|
Best, Clifton
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
30.063
|
|
3.721.065
|
Allen's Alley
|
Best, Denzil DeCosta
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
6
|
Allen's Alley
|
1946/02
|
425.166
|
|
3.721.212
|
Chiquito Loco
|
Betts, Harry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
30.242
|
|
3.721.494
|
Dancing Men
|
Bivano, Lin
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
32.640
|
|
3.721.578
|
What A Wonderful World
|
Black, Arnold
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
32.948
|
|
3.721.310
|
Moanin'
|
Blakey, Art And The Jazz Messengers
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
30
|
Moanin'
|
1958/12
|
401.530
|
|
3.721.003
|
Things AinT What The Used To Be
|
Blanton, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
1
|
Things AinT What The Used To Be
|
1941/07
|
34.102
|
|
3.721.315
|
I Love Paris
|
Bley, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
34.404
|
|
3.721.676
|
Winelight
|
Bluiett, Hamiet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
35.344
|
|
3.721.398
|
Imagination
|
Bodner, Phiol
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
39
|
Imagination
|
1962
|
36.034
|
|
3.721.739
|
Uptown Traveler
|
Bond, Tassili
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
75
|
Uptown Traveler
|
1994
|
37.320
|
|
3.721.560
|
Inside Out
|
Bozzio, Terry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
52
|
Inside Out
|
1978
|
40.305
|
|
3.721.677
|
Winelight
|
Braden, Don
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
40.430
|
|
3.721.694
|
Labyrinth
|
Braden, Don
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
69
|
Labyrinth
|
1996/01
|
40.430
|
|
3.721.678
|
Winelight
|
Braden, Don Octet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
40.437
|
|
3.721.686
|
Winelight
|
Braden, Don Octet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
507.147
|
|
3.721.643
|
Jackknife
|
Brecker, Michael
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
61
|
Jackknife
|
1981
|
42.186
|
|
3.721.562
|
Inside Out
|
Brecker, Michael
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
52
|
Inside Out
|
1978
|
42.186
|
|
3.721.679
|
Winelight
|
Brecker, Randy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
42.185
|
|
3.721.642
|
Jackknife
|
Brecker, Randy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
61
|
Jackknife
|
1981
|
42.185
|
|
3.721.561
|
Inside Out
|
Brecker, Randy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
52
|
Inside Out
|
1978
|
42.185
|
|
3.721.644
|
Jackknife
|
Brecker Bros, The
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
61
|
Jackknife
|
1981
|
42.260
|
|
3.721.563
|
Inside Out
|
Brecker Bros, The
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
52
|
Inside Out
|
1978
|
42.260
|
|
3.721.116
|
Ain't Misbehavin'
|
Brooks, Harry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
44.542
|
|
3.721.680
|
Winelight
|
Brooks The 3rd, Cecil
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
44.654
|
|
3.721.579
|
What A Wonderful World
|
Brown, Alfred
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
45.068
|
|
3.721.438
|
Turn Me Loose
|
Brown, Garnett
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
45.202
|
|
3.721.152
|
Algo Bueno
|
Brown, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
45.015
|
|
3.721.375
|
The Very Thought Of You
|
Brown, Lawrence
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
45.017
|
|
3.721.004
|
Things AinT What The Used To Be
|
Brown, Lawrence
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
1
|
Things AinT What The Used To Be
|
1941/07
|
45.017
|
|
3.721.349
|
After All
|
Brown, Lawrence
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
45.017
|
|
3.721.050
|
Spotlite
|
Brown, Pete
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
45.130
|
|
3.721.061
|
Allen's Alley
|
Brown, Pete
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
6
|
Allen's Alley
|
1946/02
|
45.130
|
|
3.721.041
|
Night In Tunesia
|
Brown, Ray
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
4
|
Night In Tunesia
|
1946/02
|
45.066
|
|
3.721.259
|
Sunday Afternoon
|
Brown, Ray
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
45.066
|
|
3.721.636
|
I'll Be Around
|
Brown, Ray
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
60
|
I'll Be Around
|
1982
|
45.066
|
|
3.721.580
|
What A Wonderful World
|
Brown, Sam
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
45.414
|
|
3.721.534
|
Good Medicine
|
Brown, Tom
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
45.025
|
|
3.721.260
|
Sunday Afternoon
|
Brown, Willard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
45.751
|
|
3.721.658
|
Tschanz
|
Bryant, Lance
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
63
|
Tschanz
|
|
507.529
|
|
3.721.339
|
Hello, Young Lovers
|
Budwig, Monty
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
34
|
Hello, Young Lovers
|
1963/02
|
48.623
|
|
3.721.190
|
Roses Of Picardy
|
Bunker, Larry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
49.372
|
|
3.721.634
|
Imagination
|
Burke, Johnny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
59
|
Imagination
|
1988
|
416.868
|
|
3.721.404
|
Imagination
|
Burke, Johnny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
39
|
Imagination
|
1962
|
416.868
|
|
3.721.681
|
Winelight
|
Burno, Dwayne
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
50.315
|
|
3.721.153
|
Algo Bueno
|
Burns, Dave
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
50.452
|
|
3.721.230
|
Crimea River
|
Burns, Ralph
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
23
|
Crimea River
|
1956/01
|
50.329
|
|
3.721.581
|
What A Wonderful World
|
Burrell, Kenny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
50.544
|
|
3.721.340
|
Hello, Young Lovers
|
Burton, Gary
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
34
|
Hello, Young Lovers
|
1963/02
|
50.830
|
|
3.721.342
|
Hello, Young Lovers
|
Burton, Gary Quartet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
34
|
Hello, Young Lovers
|
1963/02
|
50.895
|
|
3.721.341
|
Hello, Young Lovers
|
Burton, Gary Quartet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
34
|
Hello, Young Lovers
|
1963/02
|
50.880
|
|
3.721.042
|
Night In Tunesia
|
Byas, Don
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
4
|
Night In Tunesia
|
1946/02
|
51.884
|
|
3.721.474
|
Four Brothers
|
Byrne, Bill
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
52.119
|
|
3.721.652
|
Tschanz
|
Byron, Don
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
63
|
Tschanz
|
|
52.151
|
|
3.721.181
|
Overtime
|
Caceres, Ernie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
659.463
|
|
3.721.191
|
Roses Of Picardy
|
Callender, Red
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
53.751
|
|
3.721.495
|
Dancing Men
|
Calo, Joe
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
53.881
|
|
3.721.699
|
Just Sittin' AndA Rockin'
|
Cambell, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
54.082
|
|
3.721.213
|
Chiquito Loco
|
Candoli, Pete
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
54.985
|
|
3.721.021
|
Stormy Monday Blues
|
Carey, Scoops
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
55.996
|
|
3.721.289
|
Perdido
|
Carney, Harry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
56.763
|
|
3.721.005
|
Things AinT What The Used To Be
|
Carney, Harry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
1
|
Things AinT What The Used To Be
|
1941/07
|
56.763
|
|
3.721.090
|
Buckin' The Blues
|
Carney, Harry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
56.763
|
|
3.721.350
|
After All
|
Carney, Harry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
56.763
|
|
3.721.069
|
Cadillac Slim
|
Carter, Benny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
57.673
|
|
3.721.261
|
Sunday Afternoon
|
Carter, Benny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
57.673
|
|
3.721.070
|
Cadillac Slim
|
Carter, Benny And His Chocolate Dandies
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
58.108
|
|
3.721.263
|
Sunday Afternoon
|
Carter, Benny And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
58.161
|
|
3.721.262
|
Sunday Afternoon
|
Carter, Benny And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
58.109
|
|
3.721.071
|
Cadillac Slim
|
Carter And His Chocolate Dandies, Benny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
58.160
|
|
3.721.568
|
Expansions
|
Carvin, Michael
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
53
|
Expansions
|
1975
|
58.365
|
|
3.721.117
|
Ain't Misbehavin'
|
Cary, Dick
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
58.392
|
|
3.721.664
|
Pinocchio
|
Cary, Marc Anthony
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
58.403
|
|
3.721.072
|
Cadillac Slim
|
Catlett, Sid
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
59.431
|
|
3.721.118
|
Ain't Misbehavin'
|
Catlett, Sid
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
59.431
|
|
3.721.535
|
Good Medicine
|
Cavari, Jack
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
59.683
|
|
3.721.637
|
I'll Be Around
|
Ceroli, Nick
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
60
|
I'll Be Around
|
1982
|
60.249
|
|
3.721.264
|
Sunday Afternoon
|
Cheatham, Doc
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
62.185
|
|
3.721.458
|
Qudrille Anyone
|
Cherico, Gene
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
62.430
|
|
3.721.089
|
Epistrophy
|
Clarke, Kenneth S.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
420.891
|
|
3.721.154
|
Algo Bueno
|
Clarke, Kenny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
65.646
|
|
3.721.079
|
Epistrophy
|
Clarke, Kenny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
65.646
|
|
3.721.080
|
Epistrophy
|
Clarke, Kenny And His 52nd Street Boys
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
65.703
|
|
3.721.582
|
What A Wonderful World
|
Clarke, Selwart Richard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
65.679
|
|
3.721.700
|
Just Sittin' AndA Rockin'
|
Clarke, Terry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
65.658
|
|
3.721.081
|
Epistrophy
|
Clarke And His 52nd Street Boys, Kenny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
65.722
|
|
3.721.091
|
Buckin' The Blues
|
Clayton, Buck
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
66.102
|
|
3.721.073
|
Cadillac Slim
|
Clayton, Buck
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
66.102
|
|
3.721.382
|
So What
|
Cleveland, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
66.448
|
|
3.721.231
|
Crimea River
|
Cohn, Al
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
23
|
Crimea River
|
1956/01
|
67.782
|
|
3.721.237
|
Crimea River
|
Cohn, Al And Sims, Zoot
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
23
|
Crimea River
|
1956/01
|
508.555
|
|
3.721.475
|
Four Brothers
|
Coil, Pat
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
67.824
|
|
3.721.241
|
Love Me Or Leave Me
|
Cole, Cozy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
68.082
|
|
3.721.659
|
Tschanz
|
Coleman, Steve
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
63
|
Tschanz
|
|
644.148
|
|
3.721.714
|
Drop Kick Live
|
Coleman, Steve
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
71
|
Drop Kick Live
|
1995/03
|
644.148
|
|
3.721.710
|
Drop Kick Live
|
Coleman, Steve And Five Elements
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
71
|
Drop Kick Live
|
1995/03
|
68.650
|
|
3.721.605
|
Whisper Not
|
Colley, Scott
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
55
|
Whisper Not
|
1989/12
|
68.939
|
|
3.721.082
|
Epistrophy
|
Collins, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
69.063
|
|
3.721.092
|
Buckin' The Blues
|
Collins, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
69.063
|
|
3.721.583
|
What A Wonderful World
|
Collymore, Winston
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
69.442
|
|
3.721.265
|
Sunday Afternoon
|
Columbus, Chris
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
69.740
|
|
3.721.351
|
After All
|
Connors, Chuck
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
70.681
|
|
3.721.290
|
Perdido
|
Cook, Willie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
71.331
|
|
3.721.214
|
Chiquito Loco
|
Cooper, Bob
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
71.630
|
|
3.721.352
|
After All
|
Cooper, Buster
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
71.894
|
|
3.721.661
|
Almost Blue
|
Costello, Elvis
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
64
|
Almost Blue
|
1988
|
73.270
|
|
3.721.215
|
Chiquito Loco
|
Counce, Curtis
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
73.636
|
|
3.721.383
|
So What
|
Cranshaw, Bob
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
74.739
|
|
3.721.325
|
Without A Song
|
Cranshaw, Bob
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
32
|
Without A Song
|
1962/02
|
74.739
|
|
3.721.275
|
Let Me Love You
|
Crawford, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
27
|
Let Me Love You
|
1955/05
|
74.839
|
|
3.721.125
|
Ghost Of A Chance
|
Crosby, Bing
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
14
|
Ghost Of A Chance
|
1947/09
|
75.790
|
|
3.721.023
|
Stormy Monday Blues
|
Crowder, Bob
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
76.097
|
|
3.721.022
|
Stormy Monday Blues
|
Crowder, Robert
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
76.095
|
|
3.721.564
|
Inside Out
|
Cruz, Rafael
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
52
|
Inside Out
|
1978
|
76.350
|
|
3.721.552
|
Ridin' High
|
D'Amico, Carmine
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
51
|
Ridin' High
|
1973/10
|
78.046
|
|
3.721.476
|
Four Brothers
|
D'Imperio, Dan
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
78.201
|
|
3.721.477
|
Four Brothers
|
Daniels, Jim
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
80.520
|
|
3.721.559
|
Ridin' High
|
Dankworth, J.
|
|
|
|
Arr
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
51
|
Ridin' High
|
1973/10
|
424.381
|
|
3.721.701
|
Just Sittin' AndA Rockin'
|
Dankworth, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
80.782
|
|
3.721.553
|
Ridin' High
|
Dankworth, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
51
|
Ridin' High
|
1973/10
|
80.782
|
|
3.721.439
|
Turn Me Loose
|
Davenport, Wallace
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
81.759
|
|
3.721.169
|
Overtime
|
Davis, Miles
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
82.403
|
|
3.721.384
|
So What
|
Davis, Miles
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
82.403
|
|
3.721.584
|
What A Wonderful World
|
Davis, Richard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
82.290
|
|
3.721.043
|
Night In Tunesia
|
DeArango, Bill
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
4
|
Night In Tunesia
|
1946/02
|
85.066
|
|
3.721.496
|
Dancing Men
|
DeFlon, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
85.178
|
|
3.721.170
|
Overtime
|
DeFranco, Buddy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
85.188
|
|
3.721.412
|
Star Eyes
|
DePaul , Gene
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
40
|
Star Eyes
|
1962
|
425.847
|
|
3.721.148
|
Your Red Wagon
|
DePaul , Gene
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
425.847
|
|
3.721.399
|
Imagination
|
Desmond, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
39
|
Imagination
|
1962
|
88.263
|
|
3.721.332
|
All The Things You Are
|
Desmond, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
33
|
All The Things You Are
|
1962/07
|
88.263
|
|
3.721.333
|
All The Things You Are
|
Desmonmd, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
33
|
All The Things You Are
|
1962/07
|
88.274
|
|
3.721.083
|
Epistrophy
|
DeVerteuil, Eddie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
85.445
|
|
3.721.497
|
Dancing Men
|
Di Maggio, Tony
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
88.994
|
|
3.721.726
|
The Voyage
|
Dinizulu, Kimati
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
73
|
The Voyage
|
1993/12
|
90.778
|
|
3.721.513
|
Up From The Skies
|
Ditmas, Bruce
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
91.198
|
|
3.721.024
|
Stormy Monday Blues
|
Dixon, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
91.409
|
|
3.721.385
|
So What
|
Dodgion, Jerry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
92.134
|
|
3.721.498
|
Dancing Men
|
Dogan, Bob
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
92.353
|
|
3.721.459
|
Qudrille Anyone
|
Donald, Peter
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
93.092
|
|
3.721.246
|
Love Me Or Leave Me
|
Donaldson, Walter
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
428.046
|
|
3.721.132
|
Your Red Wagon
|
Donnelly, Ted
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
93.312
|
|
3.721.084
|
Epistrophy
|
Dorham, Kenny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
93.577
|
|
3.721.440
|
Turn Me Loose
|
Dorsey, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
93.730
|
|
3.721.478
|
Four Brothers
|
Dotson, Dennis
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
93.969
|
|
3.721.266
|
Sunday Afternoon
|
Drelinger, Art
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
95.336
|
|
3.721.759
|
A Colloquial Dream
|
Dunlop, Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
78
|
A Colloquial Dream
|
1957/08
|
97.353
|
|
3.721.201
|
Tijuana Gift Shop
|
Dunlop, Frankie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
20
|
Tijuana Gift Shop
|
1957/08
|
97.339
|
|
3.721.585
|
What A Wonderful World
|
Duvivier, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
98.098
|
|
3.721.276
|
Let Me Love You
|
Duvivier, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
27
|
Let Me Love You
|
1955/05
|
98.098
|
|
3.721.281
|
Coschrane
|
Duvivier, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
28
|
Coschrane
|
1956/10
|
98.098
|
|
3.721.441
|
Turn Me Loose
|
Duvivier, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
98.098
|
|
3.721.715
|
Moon Ray
|
Eade, Dominique
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
98.811
|
|
3.721.716
|
Moon Ray
|
Eade, Dominque
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
98.813
|
|
3.721.051
|
Spotlite
|
Eager, Allen
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
98.835
|
|
3.721.062
|
Allen's Alley
|
Eager, Allen
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
6
|
Allen's Alley
|
1946/02
|
98.835
|
|
3.721.682
|
Winelight
|
Eaton, William
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
99.270
|
|
3.721.025
|
Stormy Monday Blues
|
Eckstine, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
99.737
|
|
3.721.040
|
Stormy Monday Blues
|
Eckstine, William
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
429.716
|
|
3.721.133
|
Your Red Wagon
|
Edison, Harry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
100.062
|
|
3.721.743
|
Livery Stable Blues
|
Edwards, Eddie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
76
|
Livery Stable Blues
|
1917/02
|
100.411
|
|
3.721.752
|
Dixieland Jass Band One Step
|
Edwards, Eddie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
77
|
Dixieland Jass Band One Step
|
1917/02
|
100.411
|
|
3.721.760
|
A Colloquial Dream
|
Elder, Lonnie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
78
|
A Colloquial Dream
|
1957/08
|
101.945
|
|
3.721.330
|
Without A Song
|
Eliscu, Edward
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
32
|
Without A Song
|
1962/02
|
430.349
|
|
3.721.292
|
Perdido
|
Ellington, Duke
|
|
|
|
Arr
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
102.450
|
|
3.721.702
|
Just Sittin' AndA Rockin'
|
Ellington, Duke
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
102.450
|
|
3.721.291
|
Perdido
|
Ellington, Duke
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
102.450
|
|
3.721.006
|
Things AinT What The Used To Be
|
Ellington, Duke
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
1
|
Things AinT What The Used To Be
|
1941/07
|
102.450
|
|
3.721.353
|
After All
|
Ellington, Duke
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
102.450
|
|
3.721.293
|
Perdido
|
Ellington, Duke And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
102.514
|
|
3.721.355
|
After All
|
Ellington, Duke And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
102.514
|
|
3.721.354
|
After All
|
Ellington, Mercer
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
102.451
|
|
3.721.216
|
Chiquito Loco
|
England, Gene
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
104.071
|
|
3.721.093
|
Buckin' The Blues
|
Esquire All-American Award Winners
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
105.829
|
|
3.721.732
|
Our Love Is Here To Stay
|
Eubanks, Kevin
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
74
|
Our Love Is Here To Stay
|
1995/03
|
106.235
|
|
3.721.249
|
Concerto For Billy The Kid
|
Evans, Bill
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
25
|
Concerto For Billy The Kid
|
1956/12
|
106.410
|
|
3.721.514
|
Up From The Skies
|
Evans, Gil
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
106.422
|
|
3.721.517
|
Up From The Skies
|
Evans, Gil Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
106.870
|
|
3.721.516
|
Up From The Skies
|
Evans, Gil Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
106.831
|
|
3.721.515
|
Up From The Skies
|
Evans, Susan
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
106.480
|
|
3.721.692
|
I'll Be Seeing You
|
Fain, Sammy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
68
|
I'll Be Seeing You
|
1990/10
|
431.636
|
|
3.721.192
|
Roses Of Picardy
|
Farlow, Tal
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
108.845
|
|
3.721.250
|
Concerto For Billy The Kid
|
Farmer, Art
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
25
|
Concerto For Billy The Kid
|
1956/12
|
108.867
|
|
3.721.098
|
Buckin' The Blues
|
Feather, Leonard Geoffrey
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
432.146
|
|
3.721.217
|
Chiquito Loco
|
Ferguson, Maynard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
111.007
|
|
3.721.567
|
Inside Out
|
Figueroa, Sammy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
52
|
Inside Out
|
1978
|
510.785
|
|
3.721.649
|
Jackknife
|
Figueroa, Sammy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
61
|
Jackknife
|
1981
|
510.785
|
|
3.721.645
|
Jackknife
|
Finnerty, Barry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
61
|
Jackknife
|
1981
|
112.969
|
|
3.721.565
|
Inside Out
|
Finnerty, Barry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
52
|
Inside Out
|
1978
|
112.969
|
|
3.721.316
|
I Love Paris
|
Fishkin, Arnold
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
113.789
|
|
3.721.616
|
Round Midnight
|
Foster, Al
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
57
|
Round Midnight
|
1988/04
|
116.821
|
|
3.721.606
|
Whisper Not
|
Foster, Al
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
55
|
Whisper Not
|
1989/12
|
116.821
|
|
3.721.442
|
Turn Me Loose
|
Foster, Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
116.820
|
|
3.721.460
|
Qudrille Anyone
|
Foster, Gary
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
116.819
|
|
3.721.343
|
Hello, Young Lovers
|
Fournier, Vernell
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
34
|
Hello, Young Lovers
|
1963/02
|
117.297
|
|
3.721.370
|
Sounds Of The Night
|
Fried, Gerald
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
36
|
Sounds Of The Night
|
1963/03
|
434.636
|
|
3.721.536
|
Good Medicine
|
Frosk, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
120.986
|
|
3.721.251
|
Concerto For Billy The Kid
|
Galbraith, Barry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
25
|
Concerto For Billy The Kid
|
1956/12
|
123.213
|
|
3.721.113
|
Erroll's Bounce
|
Garner, Erroll
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
12
|
Erroll's Bounce
|
1947/04
|
124.941
|
|
3.721.727
|
The Voyage
|
Garzone, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
73
|
The Voyage
|
1993/12
|
125.336
|
|
3.721.155
|
Algo Bueno
|
Gayles, Joe
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
126.031
|
|
3.721.717
|
Moon Ray
|
Genus, James
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
127.005
|
|
3.721.586
|
What A Wonderful World
|
Gershman, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
127.728
|
|
3.721.734
|
Our Love Is Here To Stay
|
Gershwin, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
74
|
Our Love Is Here To Stay
|
1995/03
|
127.753
|
|
3.721.733
|
Our Love Is Here To Stay
|
Gershwin, Ira
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
74
|
Our Love Is Here To Stay
|
1995/03
|
127.752
|
|
3.721.044
|
Night In Tunesia
|
Gillespie, Dizzy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
4
|
Night In Tunesia
|
1946/02
|
129.294
|
|
3.721.156
|
Algo Bueno
|
Gillespie, Dizzy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
129.294
|
|
3.721.171
|
Overtime
|
Gillespie, Dizzy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
129.294
|
|
3.721.045
|
Night In Tunesia
|
Gillespie, Dizzy And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
4
|
Night In Tunesia
|
1946/02
|
129.338
|
|
3.721.157
|
Algo Bueno
|
Gillespie, Dizzy And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
129.338
|
|
3.721.653
|
Tschanz
|
Gilmore, David
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
63
|
Tschanz
|
|
129.537
|
|
3.721.193
|
Roses Of Picardy
|
Giuffre, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
130.141
|
|
3.721.218
|
Chiquito Loco
|
Giuffre, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
130.141
|
|
3.721.479
|
Four Brothers
|
Giuffre, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
130.141
|
|
3.721.267
|
Sunday Afternoon
|
Glenn, Tyree
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
130.727
|
|
3.721.306
|
Moanin'
|
Golson, Benny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
30
|
Moanin'
|
1958/12
|
132.553
|
|
3.721.607
|
Whisper Not
|
Golson, Benny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
55
|
Whisper Not
|
1989/12
|
132.553
|
|
3.721.356
|
After All
|
Gonsalves, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
132.927
|
|
3.721.134
|
Your Red Wagon
|
Gonsalves, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
132.927
|
|
3.721.294
|
Perdido
|
Gonsalves, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
132.927
|
|
3.721.158
|
Algo Bueno
|
Gonzales, Chano Pozo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
133.009
|
|
3.721.518
|
Up From The Skies
|
Gordon, Peter
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
133.806
|
|
3.721.569
|
Expansions
|
Gore, Art
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
53
|
Expansions
|
1975
|
134.202
|
|
3.721.219
|
Chiquito Loco
|
Gozzo, Conrad
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
134.997
|
|
3.721.220
|
Chiquito Loco
|
Graas, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
135.010
|
|
3.721.683
|
Winelight
|
Grant, Darrell
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
135.893
|
|
3.721.135
|
Your Red Wagon
|
Green, Freddie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
136.988
|
|
3.721.100
|
Out Of Nowhere
|
Green, Johnny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
10
|
Out Of Nowhere
|
1947/01
|
136.927
|
|
3.721.587
|
What A Wonderful World
|
Green, Manny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
137.214
|
|
3.721.007
|
Things AinT What The Used To Be
|
Greer, Sonny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
1
|
Things AinT What The Used To Be
|
1941/07
|
137.658
|
|
3.721.728
|
The Voyage
|
Grenadier, Larry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
73
|
The Voyage
|
1993/12
|
138.020
|
|
3.721.695
|
Labyrinth
|
Grenadier, Larry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
69
|
Labyrinth
|
1996/01
|
138.020
|
|
3.721.074
|
Cadillac Slim
|
Grey, Al
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
138.133
|
|
3.721.443
|
Turn Me Loose
|
Grey, Al
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
138.133
|
|
3.721.646
|
Jackknife
|
Grey, Mark
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
61
|
Jackknife
|
1981
|
138.138
|
|
3.721.499
|
Dancing Men
|
Grivna, Brian A.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
138.913
|
|
3.721.617
|
Round Midnight
|
Gunnison, Eric
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
57
|
Round Midnight
|
1988/04
|
141.232
|
|
3.721.124
|
Ain't Misbehavin'
|
Hackett, Bobby
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
659.462
|
|
3.721.718
|
Moon Ray
|
Haddad, Jamey
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
142.822
|
|
3.721.119
|
Ain't Misbehavin'
|
Haggart, Bob
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
143.333
|
|
3.721.046
|
Night In Tunesia
|
Haig, Al
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
4
|
Night In Tunesia
|
1946/02
|
143.558
|
|
3.721.085
|
Epistrophy
|
Hall, Al
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
144.081
|
|
3.721.326
|
Without A Song
|
Hall, Jim
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
32
|
Without A Song
|
1962/02
|
144.071
|
|
3.721.268
|
Sunday Afternoon
|
Hall, Rene
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
144.072
|
|
3.721.221
|
Chiquito Loco
|
Halliburton, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
144.661
|
|
3.721.357
|
After All
|
Hamilton, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
145.071
|
|
3.721.376
|
The Very Thought Of You
|
Hamilton, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
145.071
|
|
3.721.295
|
Perdido
|
Hamilton, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
145.071
|
|
3.721.346
|
Hello, Young Lovers
|
Hammerstein, Oscar II
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
34
|
Hello, Young Lovers
|
1963/02
|
441.249
|
|
3.721.337
|
All The Things You Are
|
Hammerstein, Oscar II
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
33
|
All The Things You Are
|
1962/07
|
441.249
|
|
3.721.444
|
Turn Me Loose
|
Hampton, Lionel
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
145.745
|
|
3.721.445
|
Turn Me Loose
|
Hampton, Lionel And His All-Star Alumni Big Band
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
145.821
|
|
3.721.446
|
Turn Me Loose
|
Hampton And His All-Star Alumni Big Band, Lionel
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
145.858
|
|
3.721.430
|
Round Midnight
|
Hancock, Herbie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
43
|
Round Midnight
|
1964/02
|
145.918
|
|
3.721.019
|
St. Louis Blues
|
Handy, W.C
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
2
|
St. Louis Blues
|
1942/02
|
441.377
|
|
3.721.437
|
Round Midnight
|
Hanighen, Bernard D.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
43
|
Round Midnight
|
1964/02
|
441.411
|
|
3.721.623
|
Round Midnight
|
Hanighen, Bernie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
57
|
Round Midnight
|
1988/04
|
441.414
|
|
3.721.608
|
Whisper Not
|
Hargrove, Roy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
55
|
Whisper Not
|
1989/12
|
147.437
|
|
3.721.665
|
Pinocchio
|
Hargrove, Roy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
147.437
|
|
3.721.667
|
Pinocchio
|
Hargrove, Roy Quintet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
147.457
|
|
3.721.666
|
Pinocchio
|
Hargrove, Roy Quintet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
147.453
|
|
3.721.519
|
Up From The Skies
|
Harper, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
147.885
|
|
3.721.696
|
Labyrinth
|
Harrell, Tom
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
69
|
Labyrinth
|
1996/01
|
148.012
|
|
3.721.026
|
Stormy Monday Blues
|
Harris, Leroy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
148.157
|
|
3.721.740
|
Uptown Traveler
|
Hart, Antonio
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
75
|
Uptown Traveler
|
1994
|
149.121
|
|
3.721.609
|
Whisper Not
|
Hart, Antonio
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
55
|
Whisper Not
|
1989/12
|
149.121
|
|
3.721.668
|
Pinocchio
|
Hart, Antonio Maurice
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
149.122
|
|
3.721.697
|
Labyrinth
|
Hart, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
69
|
Labyrinth
|
1996/01
|
149.210
|
|
3.721.189
|
My Heart Stood Still
|
Hart, Lorenz
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
18
|
My Heart Stood Still
|
1949/11
|
442.102
|
|
3.721.480
|
Four Brothers
|
Hatt, Nelson
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
150.378
|
|
3.721.052
|
Spotlite
|
Hawkins, Coleman
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
150.958
|
|
3.721.094
|
Buckin' The Blues
|
Hawkins, Coleman
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
150.958
|
|
3.721.317
|
I Love Paris
|
Hawkins, Coleman
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
150.958
|
|
3.721.242
|
Love Me Or Leave Me
|
Hawkins, Coleman
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
150.958
|
|
3.721.053
|
Spotlite
|
Hawkins, Coleman 52nd Street All Stars
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
151.119
|
|
3.721.066
|
Allen's Alley
|
Hawkins, Coleman 52nd Street All Stars
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
6
|
Allen's Alley
|
1946/02
|
512.708
|
|
3.721.057
|
Spotlite
|
Hawkins, Coleman 52nd Street All Stars
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
512.708
|
|
3.721.324
|
I Love Paris
|
Hawkins, Coleman With Albam, Manny And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
512.713
|
|
3.721.279
|
Let Me Love You
|
Hayton, Lenny
|
|
|
|
Arr
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
27
|
Let Me Love You
|
1955/05
|
442.692
|
|
3.721.047
|
Night In Tunesia
|
Heard, J.C.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
4
|
Night In Tunesia
|
1946/02
|
152.084
|
|
3.721.424
|
One O'Clock Jump
|
Hendricks, Jon
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
42
|
One O'Clock Jump
|
1962/09
|
154.219
|
|
3.721.520
|
Up From The Skies
|
Hendrix, Jimi
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
154.303
|
|
3.721.481
|
Four Brothers
|
Herman, Woody
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
155.425
|
|
3.721.482
|
Four Brothers
|
Herman, Woody And The New Thundering Herd
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
155.515
|
|
3.721.684
|
Winelight
|
Herring, Vincent
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
156.019
|
|
3.721.101
|
Out Of Nowhere
|
Heyman, Edward
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
10
|
Out Of Nowhere
|
1947/01
|
156.806
|
|
3.721.610
|
Whisper Not
|
Hicks, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
55
|
Whisper Not
|
1989/12
|
157.059
|
|
3.721.243
|
Love Me Or Leave Me
|
Higginbotham, J.C.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
157.280
|
|
3.721.414
|
Old Folks
|
Higgins, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
41
|
Old Folks
|
1967/02
|
157.314
|
|
3.721.729
|
The Voyage
|
Hildalgo, Giovanni
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
73
|
The Voyage
|
1993/12
|
157.539
|
|
3.721.420
|
Old Folks
|
Hill, Dedette Lee
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
41
|
Old Folks
|
1967/02
|
444.277
|
|
3.721.027
|
Stormy Monday Blues
|
Hines, Earl
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
158.424
|
|
3.721.029
|
Stormy Monday Blues
|
Hines, Earl And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
158.478
|
|
3.721.028
|
Stormy Monday Blues
|
Hines, Earl And His Orchestra (Fatha)
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
158.477
|
|
3.721.232
|
Crimea River
|
Hinton, Milt
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
23
|
Crimea River
|
1956/01
|
158.613
|
|
3.721.364
|
Sounds Of The Night
|
Hinton, Milt
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
36
|
Sounds Of The Night
|
1963/03
|
158.613
|
|
3.721.400
|
Imagination
|
Hinton, Milt
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
39
|
Imagination
|
1962
|
158.613
|
|
3.721.011
|
Things AinT What The Used To Be
|
Hodges, Johnmy And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
1
|
Things AinT What The Used To Be
|
1941/07
|
513.134
|
|
3.721.358
|
After All
|
Hodges, Johnny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
159.425
|
|
3.721.008
|
Things AinT What The Used To Be
|
Hodges, Johnny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
1
|
Things AinT What The Used To Be
|
1941/07
|
159.425
|
|
3.721.377
|
The Very Thought Of You
|
Hodges, Johnny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
159.425
|
|
3.721.009
|
Things AinT What The Used To Be
|
Hodges, Johnny And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
1
|
Things AinT What The Used To Be
|
1941/07
|
159.509
|
|
3.721.483
|
Four Brothers
|
Hoffman, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
159.859
|
|
3.721.484
|
Four Brothers
|
Holloway, Rusty
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
161.232
|
|
3.721.415
|
Old Folks
|
Holt, Scott
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
41
|
Old Folks
|
1967/02
|
161.751
|
|
3.721.688
|
I'll Be Seeing You
|
Horn, Shirley
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
68
|
I'll Be Seeing You
|
1990/10
|
162.815
|
|
3.721.689
|
I'll Be Seeing You
|
Horn, Shirley Trio
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
68
|
I'll Be Seeing You
|
1990/10
|
162.976
|
|
3.721.277
|
Let Me Love You
|
Horne, Lena
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
27
|
Let Me Love You
|
1955/05
|
163.009
|
|
3.721.521
|
Up From The Skies
|
Horowitz, David
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
163.146
|
|
3.721.280
|
Let Me Love You
|
Howard, Bart
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
27
|
Let Me Love You
|
1955/05
|
445.783
|
|
3.721.222
|
Chiquito Loco
|
Howell, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
164.401
|
|
3.721.570
|
Expansions
|
Hubbard, Dave
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
53
|
Expansions
|
1975
|
164.614
|
|
3.721.120
|
Ain't Misbehavin'
|
Hucko, Peanuts
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
164.874
|
|
3.721.103
|
Blues After Hours
|
Hucko, Peanuts
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
164.874
|
|
3.721.407
|
Star Eyes
|
Humair, Daniel
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
40
|
Star Eyes
|
1962
|
165.767
|
|
3.721.030
|
Stormy Monday Blues
|
Hunt, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
166.182
|
|
3.721.735
|
Our Love Is Here To Stay
|
Hurst, Bob
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
74
|
Our Love Is Here To Stay
|
1995/03
|
166.622
|
|
3.721.669
|
Pinocchio
|
Hutchinson, Gregory
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
166.999
|
|
3.721.554
|
Ridin' High
|
Hymas, Anthony
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
51
|
Ridin' High
|
1973/10
|
167.364
|
|
3.721.099
|
Buckin' The Blues
|
Jackson, Chubby
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
513.698
|
|
3.721.031
|
Stormy Monday Blues
|
Jackson, Harry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
170.922
|
|
3.721.048
|
Night In Tunesia
|
Jackson, Milt
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
4
|
Night In Tunesia
|
1946/02
|
171.160
|
|
3.721.296
|
Perdido
|
Jackson, Quentin (Butter)
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
170.871
|
|
3.721.566
|
Inside Out
|
Jason, Neil
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
52
|
Inside Out
|
1978
|
174.228
|
|
3.721.408
|
Star Eyes
|
Jaspar, Bobby
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
40
|
Star Eyes
|
1962
|
174.243
|
|
3.721.183
|
My Heart Stood Still
|
Johnson, Ben
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
18
|
My Heart Stood Still
|
1949/11
|
177.355
|
|
3.721.136
|
Your Red Wagon
|
Johnson, Bill
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
177.273
|
|
3.721.032
|
Stormy Monday Blues
|
Johnson, Budd
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
177.274
|
|
3.721.159
|
Algo Bueno
|
Johnson, Howard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
177.281
|
|
3.721.522
|
Up From The Skies
|
Johnson, Howard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
177.281
|
|
3.721.172
|
Overtime
|
Johnson, J.J.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
177.306
|
|
3.721.095
|
Buckin' The Blues
|
Johnson, J.J.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
177.306
|
|
3.721.387
|
So What
|
Johnson, J.J.
|
|
|
|
Arr
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
177.306
|
|
3.721.386
|
So What
|
Johnson, J.J.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
177.306
|
|
3.721.396
|
So What
|
Johnson, J.J. And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
514.064
|
|
3.721.388
|
So What
|
Johnson, J.J. And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
178.783
|
|
3.721.416
|
Old Folks
|
Johnson, LaMont
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
41
|
Old Folks
|
1967/02
|
177.995
|
|
3.721.252
|
Concerto For Billy The Kid
|
Johnson, Osie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
25
|
Concerto For Billy The Kid
|
1956/12
|
178.125
|
|
3.721.233
|
Crimea River
|
Johnson, Osie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
23
|
Crimea River
|
1956/01
|
178.125
|
|
3.721.365
|
Sounds Of The Night
|
Johnson, Osie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
36
|
Sounds Of The Night
|
1963/03
|
178.125
|
|
3.721.401
|
Imagination
|
Johnson, Osie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
39
|
Imagination
|
1962
|
178.125
|
|
3.721.194
|
Roses Of Picardy
|
Jolly, Pete
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
179.098
|
|
3.721.269
|
Sunday Afternoon
|
Jones, Claude
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
179.985
|
|
3.721.611
|
The Truth Is Spoken Here
|
Jones, Elvin
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
56
|
The Truth Is Spoken Here
|
1988/07
|
179.351
|
|
3.721.389
|
So What
|
Jones, Hank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
179.357
|
|
3.721.366
|
Sounds Of The Night
|
Jones, Hank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
36
|
Sounds Of The Night
|
1963/03
|
179.357
|
|
3.721.359
|
After All
|
Jones, Herbie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
180.426
|
|
3.721.054
|
Spotlite
|
Jones, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
179.297
|
|
3.721.378
|
The Very Thought Of You
|
Jones, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
179.297
|
|
3.721.063
|
Allen's Alley
|
Jones, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
6
|
Allen's Alley
|
1946/02
|
179.297
|
|
3.721.137
|
Your Red Wagon
|
Jones, Jo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
179.364
|
|
3.721.138
|
Your Red Wagon
|
Jones, Richard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
179.379
|
|
3.721.379
|
The Very Thought Of You
|
Jones, Rufus
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
180.252
|
|
3.721.618
|
Round Midnight
|
Jordan, Clifford
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
57
|
Round Midnight
|
1988/04
|
181.071
|
|
3.721.270
|
Sunday Afternoon
|
Jordan, Taft
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
181.128
|
|
3.721.693
|
I'll Be Seeing You
|
Kahal, Irving
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
68
|
I'll Be Seeing You
|
1990/10
|
449.364
|
|
3.721.247
|
Love Me Or Leave Me
|
Kahn, Gus
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
449.396
|
|
3.721.111
|
Blues After Hours
|
Kaminsky, Max
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
514.369
|
|
3.721.523
|
Up From The Skies
|
Kawasaki, Ryo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
186.064
|
|
3.721.334
|
All The Things You Are
|
Kay, Connie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
33
|
All The Things You Are
|
1962/07
|
186.134
|
|
3.721.160
|
Algo Bueno
|
Kelly, Ted
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
187.488
|
|
3.721.537
|
Good Medicine
|
Kenley, Mac
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
187.903
|
|
3.721.338
|
All The Things You Are
|
Kern, Jerome
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
33
|
All The Things You Are
|
1962/07
|
450.703
|
|
3.721.624
|
Uptownship
|
Khumalo, Bakithi
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
58
|
Uptownship
|
1988/10
|
189.519
|
|
3.721.571
|
Expansions
|
Killian, Lawrence
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
53
|
Expansions
|
1975
|
190.161
|
|
3.721.013
|
St. Louis Blues
|
Kirby, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
2
|
St. Louis Blues
|
1942/02
|
191.433
|
|
3.721.014
|
St. Louis Blues
|
Kirby, John And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
2
|
St. Louis Blues
|
1942/02
|
191.485
|
|
3.721.485
|
Four Brothers
|
Kirkland, Dale
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
191.829
|
|
3.721.761
|
A Colloquial Dream
|
Knepper, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
78
|
A Colloquial Dream
|
1957/08
|
193.724
|
|
3.721.202
|
Tijuana Gift Shop
|
Knepper, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
20
|
Tijuana Gift Shop
|
1957/08
|
193.724
|
|
3.721.524
|
Up From The Skies
|
Koehler, Trevor
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
194.511
|
|
3.721.500
|
Dancing Men
|
Kondzeila, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
195.482
|
|
3.721.253
|
Concerto For Billy The Kid
|
Kotick, Teddy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
25
|
Concerto For Billy The Kid
|
1956/12
|
196.397
|
|
3.721.625
|
Uptownship
|
Kunene, Sipho
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
58
|
Uptownship
|
1988/10
|
199.797
|
|
3.721.015
|
St. Louis Blues
|
Kyle, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
2
|
St. Louis Blues
|
1942/02
|
200.633
|
|
3.721.501
|
Dancing Men
|
La Barbera, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
201.417
|
|
3.721.502
|
Dancing Men
|
La Barbera, Pat
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
201.421
|
|
3.721.744
|
Livery Stable Blues
|
La Rocca, Nick
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
76
|
Livery Stable Blues
|
1917/02
|
201.573
|
|
3.721.753
|
Dixieland Jass Band One Step
|
La Rocca, Nick
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
77
|
Dixieland Jass Band One Step
|
1917/02
|
201.573
|
|
3.721.511
|
Dancing Men
|
LaBarbera, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
453.866
|
|
3.721.685
|
Winelight
|
Lacy, Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
67
|
Winelight
|
1997/02
|
202.088
|
|
3.721.670
|
Pinocchio
|
Lacy, Ku-Umba Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
202.094
|
|
3.721.703
|
Just Sittin' AndA Rockin'
|
Laine, Cleo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
202.496
|
|
3.721.555
|
Ridin' High
|
Laine, Cleo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
51
|
Ridin' High
|
1973/10
|
202.496
|
|
3.721.638
|
I'll Be Around
|
Laine, Cleo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
60
|
I'll Be Around
|
1982
|
202.496
|
|
3.721.711
|
Drop Kick Live
|
Lake, Gene
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
71
|
Drop Kick Live
|
1995/03
|
202.666
|
|
3.721.425
|
One O'Clock Jump
|
Lambert, Dave
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
42
|
One O'Clock Jump
|
1962/09
|
202.956
|
|
3.721.426
|
One O'Clock Jump
|
Lambert, Hendricks And Bavan
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
42
|
One O'Clock Jump
|
1962/09
|
203.005
|
|
3.721.538
|
Good Medicine
|
Lawrence, Arnie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
205.985
|
|
3.721.626
|
Uptownship
|
Ledford, Mark
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
58
|
Uptownship
|
1988/10
|
207.438
|
|
3.721.632
|
Imagination
|
Leftwich, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
59
|
Imagination
|
1988
|
208.219
|
|
3.721.662
|
Almost Blue
|
Leftwich, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
64
|
Almost Blue
|
1988
|
208.219
|
|
3.721.704
|
Just Sittin' AndA Rockin'
|
Leonhart, Jay
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
209.686
|
|
3.721.572
|
Expansions
|
Leopoldo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
53
|
Expansions
|
1975
|
209.736
|
|
3.721.104
|
Blues After Hours
|
Lesberg, Jack
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
209.893
|
|
3.721.525
|
Up From The Skies
|
Levin, Peter
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
210.434
|
|
3.721.139
|
Your Red Wagon
|
Lewis, Ed
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
211.020
|
|
3.721.209
|
Two Degrees East, Three Degrees West
|
Lewis, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
21
|
Two Degrees East, Three Degrees West
|
1958/03
|
210.901
|
|
3.721.161
|
Algo Bueno
|
Lewis, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
210.901
|
|
3.721.503
|
Dancing Men
|
Leys, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
211.723
|
|
3.721.360
|
After All
|
Little, Steve
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
214.281
|
|
3.721.447
|
Turn Me Loose
|
Little, Steve
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
214.281
|
|
3.721.588
|
What A Wonderful World
|
Lookofsky, Harry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
216.376
|
|
3.721.461
|
Qudrille Anyone
|
Loper, Charlie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
216.481
|
|
3.721.749
|
Livery Stable Blues
|
Lopez, Ray
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
76
|
Livery Stable Blues
|
1917/02
|
457.872
|
|
3.721.486
|
Four Brothers
|
Lovano, Joe
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
217.442
|
|
3.721.140
|
Your Red Wagon
|
Love, Preston
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
217.488
|
|
3.721.526
|
Up From The Skies
|
Loving, Keith
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
217.831
|
|
3.721.750
|
Livery Stable Blues
|
Lunez, Alcide
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
76
|
Livery Stable Blues
|
1917/02
|
458.571
|
|
3.721.448
|
Turn Me Loose
|
Mackel, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
222.173
|
|
3.721.723
|
Moon Ray
|
Madison, Paul
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
459.481
|
|
3.721.427
|
One O'Clock Jump
|
Mahonee, Gildo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
42
|
One O'Clock Jump
|
1962/09
|
223.491
|
|
3.721.589
|
What A Wonderful World
|
Malin, Joe
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
224.430
|
|
3.721.719
|
Moon Ray
|
Mallach, Bob
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
224.502
|
|
3.721.527
|
Up From The Skies
|
Malone, Tom
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
224.667
|
|
3.721.068
|
Allen's Alley
|
Manne, Shelly
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
6
|
Allen's Alley
|
1946/02
|
710.172
|
|
3.721.229
|
Chiquito Loco
|
Manne, Shelly
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
710.172
|
|
3.721.182
|
Overtime
|
Manne, Shelly
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
710.172
|
|
3.721.059
|
Spotlite
|
Manne, Shelly
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
710.172
|
|
3.721.671
|
Pinocchio
|
Marsalis, Branford
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
228.506
|
|
3.721.612
|
The Truth Is Spoken Here
|
Marsalis, Wynton
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
56
|
The Truth Is Spoken Here
|
1988/07
|
228.516
|
|
3.721.335
|
All The Things You Are
|
Marshall, Wendell
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
33
|
All The Things You Are
|
1962/07
|
228.700
|
|
3.721.297
|
Perdido
|
Marshall, Wendell
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
228.700
|
|
3.721.627
|
Uptownship
|
Masekela, Hugh
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
58
|
Uptownship
|
1988/10
|
230.449
|
|
3.721.141
|
Your Red Wagon
|
Matthews, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
231.976
|
|
3.721.573
|
Expansions
|
McBee, Cecil
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
53
|
Expansions
|
1975
|
233.767
|
|
3.721.033
|
Stormy Monday Blues
|
McConnell, Maurice
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
234.571
|
|
3.721.590
|
What A Wonderful World
|
McCracken, Charles
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
234.939
|
|
3.721.318
|
I Love Paris
|
McCurdy, Roy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
235.171
|
|
3.721.431
|
Round Midnight
|
McCurdy, Roy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
43
|
Round Midnight
|
1964/02
|
235.171
|
|
3.721.234
|
Crimea River
|
McKenna, Dave
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
23
|
Crimea River
|
1956/01
|
236.728
|
|
3.721.064
|
Allen's Alley
|
McKibbon, AL
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
6
|
Allen's Alley
|
1946/02
|
236.851
|
|
3.721.162
|
Algo Bueno
|
McKibbon, AL
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
236.851
|
|
3.721.055
|
Spotlite
|
McKibbon, AL
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
236.851
|
|
3.721.741
|
Uptown Traveler
|
McKinney, Carlos
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
75
|
Uptown Traveler
|
1994
|
236.922
|
|
3.721.254
|
Concerto For Billy The Kid
|
McKusick, Hal
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
25
|
Concerto For Billy The Kid
|
1956/12
|
237.031
|
|
3.721.417
|
Old Folks
|
McLean, Jackie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
41
|
Old Folks
|
1967/02
|
237.188
|
|
3.721.419
|
Old Folks
|
McLean, Jackie Quartet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
41
|
Old Folks
|
1967/02
|
237.273
|
|
3.721.418
|
Old Folks
|
McLean, Jackie Quartet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
41
|
Old Folks
|
1967/02
|
237.263
|
|
3.721.034
|
Stormy Monday Blues
|
McLewis, Joe
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
237.341
|
|
3.721.690
|
I'll Be Seeing You
|
McRae, Carmen
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
68
|
I'll Be Seeing You
|
1990/10
|
237.949
|
|
3.721.619
|
Round Midnight
|
McRae, Carmen
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
57
|
Round Midnight
|
1988/04
|
237.949
|
|
3.721.367
|
Sounds Of The Night
|
Mercer, Johnny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
36
|
Sounds Of The Night
|
1963/03
|
240.278
|
|
3.721.173
|
Overtime
|
Metronome All Stars, The
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
241.088
|
|
3.721.035
|
Stormy Monday Blues
|
Miller, Jesse
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
243.783
|
|
3.721.647
|
Jackknife
|
Miller, Marcus
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
61
|
Jackknife
|
1981
|
243.227
|
|
3.721.712
|
Drop Kick Live
|
Milne, Andy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
71
|
Drop Kick Live
|
1995/03
|
244.208
|
|
3.721.762
|
A Colloquial Dream
|
Mingus, Charles
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
78
|
A Colloquial Dream
|
1957/08
|
244.524
|
|
3.721.203
|
Tijuana Gift Shop
|
Mingus, Charles
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
20
|
Tijuana Gift Shop
|
1957/08
|
244.524
|
|
3.721.402
|
Imagination
|
Miranda, Tony
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
39
|
Imagination
|
1962
|
244.887
|
|
3.721.086
|
Epistrophy
|
Monk, Thelonious
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
247.480
|
|
3.721.432
|
Round Midnight
|
Monk, Thelonious
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
43
|
Round Midnight
|
1964/02
|
247.480
|
|
3.721.650
|
Blue Monk
|
Monk, Thelonious
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
62
|
Blue Monk
|
1988/07
|
247.480
|
|
3.721.620
|
Round Midnight
|
Monk, Thelonious
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
57
|
Round Midnight
|
1988/04
|
247.480
|
|
3.721.639
|
I'll Be Around
|
Moore, Dudley
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
60
|
I'll Be Around
|
1982
|
248.762
|
|
3.721.591
|
What A Wonderful World
|
Moore, Kermit
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
248.469
|
|
3.721.528
|
Up From The Skies
|
Moore, Michael
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
248.450
|
|
3.721.648
|
Jackknife
|
Morales, Richie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
61
|
Jackknife
|
1981
|
249.220
|
|
3.721.204
|
Tijuana Gift Shop
|
Morel, Ysabel
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
20
|
Tijuana Gift Shop
|
1957/08
|
249.514
|
|
3.721.556
|
Ridin' High
|
Morgan, Graham
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
51
|
Ridin' High
|
1973/10
|
249.857
|
|
3.721.308
|
Moanin'
|
Morgan, Lee
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
30
|
Moanin'
|
1958/12
|
249.901
|
|
3.721.504
|
Dancing Men
|
Mosher, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
251.303
|
|
3.721.621
|
Round Midnight
|
Mraz, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
57
|
Round Midnight
|
1988/04
|
252.495
|
|
3.721.336
|
All The Things You Are
|
Mulligan, Gerry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
33
|
All The Things You Are
|
1962/07
|
253.373
|
|
3.721.010
|
Things AinT What The Used To Be
|
Nance, Ray
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
1
|
Things AinT What The Used To Be
|
1941/07
|
256.896
|
|
3.721.298
|
Perdido
|
Nance, Ray
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
256.896
|
|
3.721.244
|
Love Me Or Leave Me
|
Napoleon, Marty
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
257.027
|
|
3.721.505
|
Dancing Men
|
Naus, Wayne
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
257.746
|
|
3.721.174
|
Overtime
|
Navarro, Fats
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
257.811
|
|
3.721.087
|
Epistrophy
|
Navarro, Fats
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
257.811
|
|
3.721.390
|
So What
|
Nelson, Oliver
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
258.481
|
|
3.721.592
|
What A Wonderful World
|
Nelson, Oliver
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
258.481
|
|
3.721.720
|
Moon Ray
|
Nelson, Steve
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
258.510
|
|
3.721.449
|
Turn Me Loose
|
Newman, Joe
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
260.082
|
|
3.721.628
|
Uptownship
|
Ngema, Mbongeni
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
58
|
Uptownship
|
1988/10
|
260.487
|
|
3.721.163
|
Algo Bueno
|
Nicholas, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
260.729
|
|
3.721.462
|
Qudrille Anyone
|
Nicholson, Lynn
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
260.919
|
|
3.721.705
|
Just Sittin' AndA Rockin'
|
Niewood, Jerry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
261.409
|
|
3.721.380
|
The Very Thought Of You
|
Noble, Ray
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
262.299
|
|
3.721.674
|
Cherokee
|
Noble, Ray
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
66
|
Cherokee
|
1991/06
|
262.299
|
|
3.721.195
|
Roses Of Picardy
|
Norvo, Red
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
263.357
|
|
3.721.197
|
Roses Of Picardy
|
Norvo, Red Septet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
263.383
|
|
3.721.196
|
Roses Of Picardy
|
Norvo, Red Septet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
263.376
|
|
3.721.450
|
Turn Me Loose
|
Nottingham, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
263.496
|
|
3.721.745
|
Livery Stable Blues
|
Original Dixieland Jass Band
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
76
|
Livery Stable Blues
|
1917/02
|
268.765
|
|
3.721.754
|
Dixieland Jass Band One Step
|
Original Dixieland Jass Band
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
77
|
Dixieland Jass Band One Step
|
1917/02
|
268.765
|
|
3.721.758
|
Dixieland Jass Band One Step
|
Orignal Dixieland Jass Band
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
77
|
Dixieland Jass Band One Step
|
1917/02
|
470.655
|
|
3.721.751
|
Livery Stable Blues
|
Orignal Dixieland Jass Band
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
76
|
Livery Stable Blues
|
1917/02
|
470.655
|
|
3.721.593
|
What A Wonderful World
|
Orloff, Gene
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
268.932
|
|
3.721.067
|
Allen's Alley
|
Osborne, Mary
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
6
|
Allen's Alley
|
1946/02
|
518.622
|
|
3.721.058
|
Spotlite
|
Osborne, Mary
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
518.622
|
|
3.721.487
|
Four Brothers
|
Oslawski, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
269.656
|
|
3.721.594
|
What A Wonderful World
|
Owens, Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
270.541
|
|
3.721.539
|
Good Medicine
|
Pacheco, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
271.053
|
|
3.721.142
|
Your Red Wagon
|
Page, Walter
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
271.323
|
|
3.721.223
|
Chiquito Loco
|
Paitch, Marty
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
271.672
|
|
3.721.049
|
Night In Tunesia
|
Paparelli, Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
4
|
Night In Tunesia
|
1946/02
|
272.723
|
|
3.721.036
|
Stormy Monday Blues
|
Parham, Truck
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
273.167
|
|
3.721.175
|
Overtime
|
Parker, Charlie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
273.378
|
|
3.721.529
|
Up From The Skies
|
Pate, Don
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
274.802
|
|
3.721.506
|
Dancing Men
|
Paulson, Bruce
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
275.567
|
|
3.721.463
|
Qudrille Anyone
|
Paulson, Bruce
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
275.567
|
|
3.721.164
|
Algo Bueno
|
Payne, Cecil
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
275.801
|
|
3.721.451
|
Turn Me Loose
|
Pazant, Ed
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
276.044
|
|
3.721.319
|
I Love Paris
|
Penque, Romeo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
277.362
|
|
3.721.403
|
Imagination
|
Penque, Romeo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
39
|
Imagination
|
1962
|
277.362
|
|
3.721.730
|
The Voyage
|
Perez, Danilo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
73
|
The Voyage
|
1993/12
|
277.878
|
|
3.721.530
|
Up From The Skies
|
Peterson, Hannibal Marvin
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
279.563
|
|
3.721.184
|
My Heart Stood Still
|
Peterson, Oscar
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
18
|
My Heart Stood Still
|
1949/11
|
279.443
|
|
3.721.186
|
My Heart Stood Still
|
Peterson, Oscar Trio
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
18
|
My Heart Stood Still
|
1949/11
|
279.704
|
|
3.721.185
|
My Heart Stood Still
|
Peterson, Oscar Trio
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
18
|
My Heart Stood Still
|
1949/11
|
279.687
|
|
3.721.464
|
Qudrille Anyone
|
Peterson, Tom
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
279.446
|
|
3.721.224
|
Chiquito Loco
|
Petter, Art
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
280.026
|
|
3.721.595
|
What A Wonderful World
|
Pollikoff, Max
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
284.590
|
|
3.721.557
|
Ridin' High
|
Porter, Cole
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
51
|
Ridin' High
|
1973/10
|
285.516
|
|
3.721.320
|
I Love Paris
|
Porter, Cole
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
285.516
|
|
3.721.763
|
A Colloquial Dream
|
Porter, Curtis (Shafi Hadi)
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
78
|
A Colloquial Dream
|
1957/08
|
285.442
|
|
3.721.205
|
Tijuana Gift Shop
|
Porter, Curtis (Shafi Hadi)
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
20
|
Tijuana Gift Shop
|
1957/08
|
285.442
|
|
3.721.452
|
Turn Me Loose
|
Powell, Benny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
286.413
|
|
3.721.282
|
Coschrane
|
Powell, Bud
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
28
|
Coschrane
|
1956/10
|
286.366
|
|
3.721.088
|
Epistrophy
|
Powell, Bud
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
8
|
Epistrophy
|
1946/09
|
286.366
|
|
3.721.284
|
Coschrane
|
Powell, Bud Trio
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
28
|
Coschrane
|
1956/10
|
286.555
|
|
3.721.283
|
Coschrane
|
Powell, Bud Trio
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
28
|
Coschrane
|
1956/10
|
286.525
|
|
3.721.286
|
Coschrane
|
Powell, Earl Bud
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
28
|
Coschrane
|
1956/10
|
474.975
|
|
3.721.016
|
St. Louis Blues
|
Powell, Specs
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
2
|
St. Louis Blues
|
1942/02
|
286.450
|
|
3.721.143
|
Your Red Wagon
|
Price, Charleie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
287.558
|
|
3.721.465
|
Qudrille Anyone
|
Price, Mike
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
287.761
|
|
3.721.361
|
After All
|
Procope, Russell
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
288.404
|
|
3.721.299
|
Perdido
|
Procope, Russell
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
288.404
|
|
3.721.017
|
St. Louis Blues
|
Procope, Russell
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
2
|
St. Louis Blues
|
1942/02
|
288.404
|
|
3.721.488
|
Four Brothers
|
Pugh, Jim
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
289.214
|
|
3.721.596
|
What A Wonderful World
|
Purdie, Pretty
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
289.578
|
|
3.721.724
|
Moon Ray
|
Quenzer, Arthur
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
475.890
|
|
3.721.409
|
Star Eyes
|
Quersin, Benoit
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
40
|
Star Eyes
|
1962
|
290.470
|
|
3.721.466
|
Qudrille Anyone
|
Rader, Don
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
291.484
|
|
3.721.746
|
Livery Stable Blues
|
Ragas, Henry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
76
|
Livery Stable Blues
|
1917/02
|
291.900
|
|
3.721.755
|
Dixieland Jass Band One Step
|
Ragas, Henry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
77
|
Dixieland Jass Band One Step
|
1917/02
|
291.900
|
|
3.721.037
|
Stormy Monday Blues
|
Randall, William
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
293.110
|
|
3.721.413
|
Star Eyes
|
Raye, Don
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
40
|
Star Eyes
|
1962
|
476.956
|
|
3.721.149
|
Your Red Wagon
|
Raye, Don
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
476.956
|
|
3.721.121
|
Ain't Misbehavin'
|
Razaf, Andy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
294.648
|
|
3.721.540
|
Good Medicine
|
Rebillot, Pat
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
294.991
|
|
3.721.271
|
Sunday Afternoon
|
Rehak, Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
296.296
|
|
3.721.597
|
What A Wonderful World
|
Ricci, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
299.296
|
|
3.721.507
|
Dancing Men
|
Rich, Buddy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
299.480
|
|
3.721.509
|
Dancing Men
|
Rich, Buddy And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
299.550
|
|
3.721.508
|
Dancing Men
|
Rich, Buddy And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
299.533
|
|
3.721.453
|
Turn Me Loose
|
Richardson, Jerome
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
299.832
|
|
3.721.391
|
So What
|
Richardson, Jerome
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
299.832
|
|
3.721.764
|
A Colloquial Dream
|
Richmond, Danny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
78
|
A Colloquial Dream
|
1957/08
|
300.227
|
|
3.721.206
|
Tijuana Gift Shop
|
Richmond, Danny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
20
|
Tijuana Gift Shop
|
1957/08
|
300.227
|
|
3.721.327
|
Without A Song
|
Riley, Ben
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
32
|
Without A Song
|
1962/02
|
301.248
|
|
3.721.187
|
My Heart Stood Still
|
Roberts, Auston
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
18
|
My Heart Stood Still
|
1949/11
|
302.838
|
|
3.721.675
|
Cherokee
|
Roberts, Marcus
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
66
|
Cherokee
|
1991/06
|
302.827
|
|
3.721.613
|
The Truth Is Spoken Here
|
Roberts, Marcus
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
56
|
The Truth Is Spoken Here
|
1988/07
|
302.827
|
|
3.721.651
|
Blue Monk
|
Roberts, Marcus
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
62
|
Blue Monk
|
1988/07
|
302.827
|
|
3.721.421
|
Old Folks
|
Robison, Willard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
41
|
Old Folks
|
1967/02
|
479.239
|
|
3.721.344
|
Hello, Young Lovers
|
Rodgers, Richard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
34
|
Hello, Young Lovers
|
1963/02
|
304.747
|
|
3.721.188
|
My Heart Stood Still
|
Rodgers, Richard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
18
|
My Heart Stood Still
|
1949/11
|
304.747
|
|
3.721.541
|
Good Medicine
|
Rodriguez, John Jr.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
305.176
|
|
3.721.368
|
Sounds Of The Night
|
Rodriguez, Willie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
36
|
Sounds Of The Night
|
1963/03
|
305.033
|
|
3.721.225
|
Chiquito Loco
|
Rogers, Milton
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
305.598
|
|
3.721.200
|
Roses Of Picardy
|
Rogers, Shorty
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
520.276
|
|
3.721.228
|
Chiquito Loco
|
Rogers, Shorty
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
520.276
|
|
3.721.226
|
Chiquito Loco
|
Rogers, Shorty And His Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
305.717
|
|
3.721.328
|
Without A Song
|
Rollins, Sonny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
32
|
Without A Song
|
1962/02
|
306.150
|
|
3.721.433
|
Round Midnight
|
Rollins, Sonny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
43
|
Round Midnight
|
1964/02
|
306.150
|
|
3.721.435
|
Round Midnight
|
Rollins, Sonny And Co.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
43
|
Round Midnight
|
1964/02
|
306.169
|
|
3.721.434
|
Round Midnight
|
Rollins, Sonny And Co.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
43
|
Round Midnight
|
1964/02
|
306.163
|
|
3.721.331
|
Without A Song
|
Rose, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
32
|
Without A Song
|
1962/02
|
480.052
|
|
3.721.706
|
Just Sittin' AndA Rockin'
|
Rosenberg, Roger
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
307.289
|
|
3.721.392
|
So What
|
Royal, Ernie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
309.121
|
|
3.721.542
|
Good Medicine
|
Rubin, Alan
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
309.322
|
|
3.721.736
|
Our Love Is Here To Stay
|
Rubin, Vanessa
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
74
|
Our Love Is Here To Stay
|
1995/03
|
309.332
|
|
3.721.176
|
Overtime
|
Rugolo, Pete
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
309.946
|
|
3.721.558
|
Ridin' High
|
Runswick, Daryl
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
51
|
Ridin' High
|
1973/10
|
310.265
|
|
3.721.144
|
Your Red Wagon
|
Rushing, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
310.435
|
|
3.721.255
|
Concerto For Billy The Kid
|
Russell, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
25
|
Concerto For Billy The Kid
|
1956/12
|
310.529
|
|
3.721.257
|
Concerto For Billy The Kid
|
Russell, George Smalltet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
25
|
Concerto For Billy The Kid
|
1956/12
|
520.551
|
|
3.721.256
|
Concerto For Billy The Kid
|
Russell Smallet, George
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
25
|
Concerto For Billy The Kid
|
1956/12
|
310.779
|
|
3.721.543
|
Good Medicine
|
Russo, Sonny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
310.832
|
|
3.721.177
|
Overtime
|
Safranski, Eddie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
312.433
|
|
3.721.531
|
Up From The Skies
|
Sanborn, David
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
314.142
|
|
3.721.731
|
The Voyage
|
Sanchez, David
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
73
|
The Voyage
|
1993/12
|
314.255
|
|
3.721.747
|
Livery Stable Blues
|
Sbarbaro, Tony
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
76
|
Livery Stable Blues
|
1917/02
|
316.813
|
|
3.721.756
|
Dixieland Jass Band One Step
|
Sbarbaro, Tony
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
77
|
Dixieland Jass Band One Step
|
1917/02
|
316.813
|
|
3.721.105
|
Blues After Hours
|
Schroeder, Gene
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
321.044
|
|
3.721.598
|
What A Wonderful World
|
Schulman, Allan
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
321.459
|
|
3.721.599
|
What A Wonderful World
|
Schwarz, David
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
322.494
|
|
3.721.544
|
Good Medicine
|
Sebesky, Don
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
324.378
|
|
3.721.629
|
Uptownship
|
Selolwane, John (Blackie)
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
58
|
Uptownship
|
1988/10
|
325.534
|
|
3.721.545
|
Good Medicine
|
Severinsen, Doc
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
326.494
|
|
3.721.227
|
Chiquito Loco
|
Shank, Bud
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
22
|
Chiquito Loco
|
1958/04
|
327.221
|
|
3.721.018
|
St. Louis Blues
|
Shavers, Charlie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
2
|
St. Louis Blues
|
1942/02
|
327.852
|
|
3.721.056
|
Spotlite
|
Shavers, Charlie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
5
|
Spotlite
|
1946/02
|
327.852
|
|
3.721.721
|
Moon Ray
|
Shaw, Artie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
327.946
|
|
3.721.765
|
A Colloquial Dream
|
Shaw, Clarence
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
78
|
A Colloquial Dream
|
1957/08
|
327.987
|
|
3.721.207
|
Tijuana Gift Shop
|
Shaw, Clarence
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
20
|
Tijuana Gift Shop
|
1957/08
|
327.987
|
|
3.721.345
|
Hello, Young Lovers
|
Sheldon, Jack
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
34
|
Hello, Young Lovers
|
1963/02
|
328.369
|
|
3.721.165
|
Algo Bueno
|
Shephaerd, Bill
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
328.599
|
|
3.721.235
|
Crimea River
|
Sherman, Dick
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
23
|
Crimea River
|
1956/01
|
328.909
|
|
3.721.467
|
Qudrille Anyone
|
Shew, Bobby
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
329.052
|
|
3.721.748
|
Livery Stable Blues
|
Shields, Larry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
76
|
Livery Stable Blues
|
1917/02
|
329.107
|
|
3.721.757
|
Dixieland Jass Band One Step
|
Shields, Larry
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
77
|
Dixieland Jass Band One Step
|
1917/02
|
329.107
|
|
3.721.672
|
Pinocchio
|
Shorter, Wayne
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
329.705
|
|
3.721.075
|
Cadillac Slim
|
Simmons, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
331.550
|
|
3.721.493
|
The Puisher
|
Simone, Nina
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
47
|
The Puisher
|
1971/06
|
331.963
|
|
3.721.236
|
Crimea River
|
Sims, Zoot
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
23
|
Crimea River
|
1956/01
|
332.341
|
|
3.721.574
|
Expansions
|
Smith, Donald
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
53
|
Expansions
|
1975
|
335.256
|
|
3.721.428
|
One O'Clock Jump
|
Smith, Jimmie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
42
|
One O'Clock Jump
|
1962/09
|
336.014
|
|
3.721.575
|
Expansions
|
Smith, Lonnie Liston
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
53
|
Expansions
|
1975
|
335.844
|
|
3.721.654
|
Tschanz
|
Smith, Marvin (Smitty)
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
63
|
Tschanz
|
|
334.977
|
|
3.721.737
|
Our Love Is Here To Stay
|
Smith, Marvin (Smitty)
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
74
|
Our Love Is Here To Stay
|
1995/03
|
334.977
|
|
3.721.532
|
Up From The Skies
|
Smith, Warren Jr.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
336.050
|
|
3.721.300
|
Perdido
|
Smith, Willie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
335.910
|
|
3.721.533
|
Up From The Skies
|
Soloff, Lew
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
49
|
Up From The Skies
|
1974/06
|
337.981
|
|
3.721.381
|
The Very Thought Of You
|
Spann, Les
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
37
|
The Very Thought Of You
|
1967/01
|
339.527
|
|
3.721.600
|
What A Wonderful World
|
Spaulding, James
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
339.711
|
|
3.721.468
|
Qudrille Anyone
|
Spencer, Dick
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
340.056
|
|
3.721.454
|
Turn Me Loose
|
Spruill, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
341.139
|
|
3.721.489
|
Four Brothers
|
Stiles, Danny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
345.593
|
|
3.721.546
|
Good Medicine
|
Stiles, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
345.591
|
|
3.721.510
|
Dancing Men
|
Stout, Jeff
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
48
|
Dancing Men
|
1971/12
|
346.811
|
|
3.721.362
|
After All
|
Strayhorn, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
347.271
|
|
3.721.278
|
Let Me Love You
|
Strayhorn, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
27
|
Let Me Love You
|
1955/05
|
347.271
|
|
3.721.301
|
Perdido
|
Strayhorn, Billy
|
|
|
|
Arr
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
347.271
|
|
3.721.707
|
Just Sittin' AndA Rockin'
|
Strayhorn, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
347.271
|
|
3.721.633
|
Imagination
|
Strazzeri, Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
59
|
Imagination
|
1988
|
347.288
|
|
3.721.663
|
Almost Blue
|
Strazzeri, Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
64
|
Almost Blue
|
1988
|
347.288
|
|
3.721.106
|
Blues After Hours
|
Strickland, Cliff
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
347.557
|
|
3.721.393
|
So What
|
Studd, Tony
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
348.329
|
|
3.721.210
|
Two Degrees East, Three Degrees West
|
Stuttgart Symphony Orchestra
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
21
|
Two Degrees East, Three Degrees West
|
1958/03
|
348.599
|
|
3.721.469
|
Qudrille Anyone
|
Tabackin, Lew
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
352.387
|
|
3.721.547
|
Good Medicine
|
Tabackin, Lew
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
352.387
|
|
3.721.470
|
Qudrille Anyone
|
Tabackin Big Bad, Lew
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
352.395
|
|
3.721.145
|
Your Red Wagon
|
Tate, Buddy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
353.983
|
|
3.721.394
|
So What
|
Tate, Grady
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
353.979
|
|
3.721.102
|
Out Of Nowhere
|
Tatum, Art
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
10
|
Out Of Nowhere
|
1947/01
|
354.079
|
|
3.721.285
|
Coschrane
|
Taylor, Art
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
28
|
Coschrane
|
1956/10
|
354.769
|
|
3.721.272
|
Sunday Afternoon
|
Taylor, Billy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
354.372
|
|
3.721.038
|
Stormy Monday Blues
|
Taylor, Rudolph
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
354.868
|
|
3.721.107
|
Blues After Hours
|
Teagarden, Jack
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
355.195
|
|
3.721.122
|
Ain't Misbehavin'
|
Teagarden, Jack
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
355.195
|
|
3.721.112
|
Blues After Hours
|
Teagarden, Jack Big Eight
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
522.742
|
|
3.721.108
|
Blues After Hours
|
Teagarden Big Eight, Jack
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
355.226
|
|
3.721.471
|
Qudrille Anyone
|
Teele, Phil
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
355.426
|
|
3.721.395
|
So What
|
Terry, Clark
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
38
|
So What
|
1964/!2
|
356.341
|
|
3.721.302
|
Perdido
|
Terry, Clark
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
356.341
|
|
3.721.369
|
Sounds Of The Night
|
Terry, Clark
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
36
|
Sounds Of The Night
|
1963/03
|
356.341
|
|
3.721.708
|
Just Sittin' AndA Rockin'
|
Terry, Clark
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
356.341
|
|
3.721.371
|
Sounds Of The Night
|
Terry, Clark Quintet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
36
|
Sounds Of The Night
|
1963/03
|
522.810
|
|
3.721.603
|
What A Wonderful World
|
Thiele, B.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
492.101
|
|
3.721.410
|
Star Eyes
|
Thomas, Rene
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
40
|
Star Eyes
|
1962
|
358.041
|
|
3.721.273
|
Sunday Afternoon
|
Thompson, Lucky
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
358.963
|
|
3.721.490
|
Four Brothers
|
Tiberi, Frank
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
359.981
|
|
3.721.309
|
Moanin'
|
Timmons, Bobby
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
30
|
Moanin'
|
1958/12
|
360.559
|
|
3.721.311
|
Moanin'
|
Timmons, Robert
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
30
|
Moanin'
|
1958/12
|
492.690
|
|
3.721.303
|
Perdido
|
Tizol, Juan
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
360.966
|
|
3.721.411
|
Star Eyes
|
Tommasi, Amadeo
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
40
|
Star Eyes
|
1962
|
361.831
|
|
3.721.548
|
Good Medicine
|
Tompkins, Ross
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
361.880
|
|
3.721.109
|
Blues After Hours
|
Tough, Dave
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
362.824
|
|
3.721.321
|
I Love Paris
|
Travis, Nick
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
363.732
|
|
3.721.208
|
Tijuana Gift Shop
|
Triglia, Bill
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
20
|
Tijuana Gift Shop
|
1957/08
|
364.203
|
|
3.721.766
|
A Colloquial Dream
|
Triglia, Bill
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
78
|
A Colloquial Dream
|
1957/08
|
364.203
|
|
3.721.126
|
Ghost Of A Chance
|
Tristano, Lennie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
14
|
Ghost Of A Chance
|
1947/09
|
364.451
|
|
3.721.178
|
Overtime
|
Tristano, Lennie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
364.451
|
|
3.721.245
|
Love Me Or Leave Me
|
Trotman, Lloyd
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
24
|
Love Me Or Leave Me
|
1957/04
|
364.669
|
|
3.721.429
|
One O'Clock Jump
|
Tucker, Ben
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
42
|
One O'Clock Jump
|
1962/09
|
365.372
|
|
3.721.630
|
Uptownship
|
Tyler, Rico
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
58
|
Uptownship
|
1988/10
|
366.809
|
|
3.721.039
|
Stormy Monday Blues
|
Valentine, Gerald
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
3
|
Stormy Monday Blues
|
1942/03
|
369.319
|
|
3.721.405
|
Imagination
|
Van Heusen, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
39
|
Imagination
|
1962
|
495.249
|
|
3.721.635
|
Imagination
|
Van Heusen, Jimmy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
59
|
Imagination
|
1988
|
495.249
|
|
3.721.274
|
Sunday Afternoon
|
Vance, Richard
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
26
|
Sunday Afternoon
|
1952/10
|
371.203
|
|
3.721.601
|
What A Wonderful World
|
Vardi, Emanuel
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
371.568
|
|
3.721.614
|
The Truth Is Spoken Here
|
Veal, Reginald
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
56
|
The Truth Is Spoken Here
|
1988/07
|
372.126
|
|
3.721.179
|
Overtime
|
Ventura, Charlie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
372.717
|
|
3.721.491
|
Four Brothers
|
Vizutti, Alan
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
46
|
Four Brothers
|
1976/11
|
374.829
|
|
3.721.123
|
Ain't Misbehavin'
|
Waller, Fats
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
13
|
Ain't Misbehavin'
|
1947/04
|
378.400
|
|
3.721.146
|
Your Red Wagon
|
Washington, Jack
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
380.181
|
|
3.721.128
|
Ghost Of A Chance
|
Washington , Ned
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
14
|
Ghost Of A Chance
|
1947/09
|
497.977
|
|
3.721.713
|
Drop Kick Live
|
Washington, Reggie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
71
|
Drop Kick Live
|
1995/03
|
380.205
|
|
3.721.655
|
Tschanz
|
Washington, Reggie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
63
|
Tschanz
|
|
380.205
|
|
3.721.742
|
Uptown Traveler
|
Watts, Nasheet
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
75
|
Uptown Traveler
|
1994
|
381.355
|
|
3.721.110
|
Blues After Hours
|
Wayne, Chuck
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
11
|
Blues After Hours
|
1947/03
|
381.524
|
|
3.721.198
|
Roses Of Picardy
|
Weatherly, Fred E.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
498.210
|
|
3.721.076
|
Cadillac Slim
|
Webster, Ben
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
382.230
|
|
3.721.078
|
Cadillac Slim
|
Webster, Benjamin Francis
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
498.306
|
|
3.721.656
|
Tschanz
|
Weidman, James
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
63
|
Tschanz
|
|
382.721
|
|
3.721.604
|
What A Wonderful World
|
Weiss, G.D.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
498.591
|
|
3.721.549
|
Good Medicine
|
Weissberg, Eric
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
383.331
|
|
3.721.150
|
Your Red Wagon
|
Wells, Dicky
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
616.735
|
|
3.721.322
|
I Love Paris
|
Welsh, Chauncey
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
383.857
|
|
3.721.698
|
Labyrinth
|
Werner, Kenny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
69
|
Labyrinth
|
1996/01
|
384.240
|
|
3.721.673
|
Pinocchio
|
Whitaker, Rodney Thomas
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
65
|
Pinocchio
|
1992/01
|
385.812
|
|
3.721.077
|
Cadillac Slim
|
White, Sonny
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
7
|
Cadillac Slim
|
1946/08
|
386.193
|
|
3.721.709
|
Just Sittin' AndA Rockin'
|
Whitfield, Mark
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
70
|
Just Sittin' AndA Rockin'
|
1990
|
386.685
|
|
3.721.640
|
I'll Be Around
|
Wilder, Alex
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
60
|
I'll Be Around
|
1982
|
499.739
|
|
3.721.363
|
After All
|
Williams, Cootie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
35
|
After All
|
1967/08
|
389.026
|
|
3.721.436
|
Round Midnight
|
Williams, Cootie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
43
|
Round Midnight
|
1964/02
|
389.026
|
|
3.721.622
|
Round Midnight
|
Williams, Cootie
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
57
|
Round Midnight
|
1988/04
|
389.026
|
|
3.721.550
|
Good Medicine
|
Williams, John
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
388.760
|
|
3.721.602
|
What A Wonderful World
|
Williams, John Jr.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
54
|
What A Wonderful World
|
1970/05
|
390.217
|
|
3.721.691
|
I'll Be Seeing You
|
Williams, Steve
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
68
|
I'll Be Seeing You
|
1990/10
|
388.881
|
|
3.721.615
|
The Truth Is Spoken Here
|
Williams, Todd
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
56
|
The Truth Is Spoken Here
|
1988/07
|
389.512
|
|
3.721.722
|
Moon Ray
|
Williamson, Bruce
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
72
|
Moon Ray
|
1997/03
|
390.273
|
|
3.721.097
|
Buckin' The Blues
|
Wilson, Shadow
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
391.400
|
|
3.721.096
|
Buckin' The Blues
|
Wilson, Teddy
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
9
|
Buckin' The Blues
|
1946/12
|
391.280
|
|
3.721.657
|
Tschanz
|
Wimberly, Michael
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
63
|
Tschanz
|
|
391.658
|
|
3.721.180
|
Overtime
|
Winding, Kai
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
17
|
Overtime
|
1949/01
|
391.877
|
|
3.721.199
|
Roses Of Picardy
|
Wood, Haydn
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
19
|
Roses Of Picardy
|
1954/09
|
501.066
|
|
3.721.304
|
Perdido
|
Woodman, Britt
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
29
|
Perdido
|
1952/03
|
394.585
|
|
3.721.472
|
Qudrille Anyone
|
Woodman, Britt
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
45
|
Qudrille Anyone
|
1975/02
|
394.585
|
|
3.721.166
|
Algo Bueno
|
Wright, Elmon
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
395.824
|
|
3.721.167
|
Algo Bueno
|
Wright, Lamar Jr.
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
16
|
Algo Bueno
|
1947/12
|
395.925
|
|
3.721.329
|
Without A Song
|
Youmans, Vincent
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
32
|
Without A Song
|
1962/02
|
397.753
|
|
3.721.323
|
I Love Paris
|
Young, Al
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
31
|
I Love Paris
|
1956/07
|
398.021
|
|
3.721.455
|
Turn Me Loose
|
Young, Dave
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
397.785
|
|
3.721.456
|
Turn Me Loose
|
Young, Snooky
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
44
|
Turn Me Loose
|
1967/07
|
397.827
|
|
3.721.551
|
Good Medicine
|
Young, Snooky
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
50
|
Good Medicine
|
1971/06
|
397.827
|
|
3.721.147
|
Your Red Wagon
|
Young, Snooky
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
15
|
Your Red Wagon
|
1947/12
|
397.827
|
|
3.721.127
|
Ghost Of A Chance
|
Young, Victor
|
|
|
|
|
BMG 09026-68949-2 (USA 1997, RCA Victor)
|
14
|
Ghost Of A Chance
|
1947/09
|
397.813
|